Tag: science fiction

Categories
Features Live Action Movies

In The Mood For Love
(Fa Yeung Nin Wah,
花樣年華 )
/ 2046

In The Mood For Love

Director – Wong Kar-wai – 2000 – Hong Kong – Cert. PG – 94m

*****

2046

Director – Wong Kar-wai – 2004 – Hong Kong – Cert. 12 – 123m

*****

In the Mood For Love is a romantic drama set in 1962 with 2046 a sequel which follows what happened to the man some time after – out now on BFI Player Rental in 4K restorations as part of a wider Wong Kar-wai season. (Originally reviewed for Third Way on both films’ UK DVD release in the mid-2000s when they were available both separately and as a double pack).

On the same day in 1962, two couples move into neighbouring apartments in Hong Kong. The husband of secretary Su Li-zhen (Maggie Cheung) is away on business in Japan, while the wife of journalist Chow Mo Wan (Tony Leung Chiu-wai from Bullet In The Head, John Woo, 1990, Hard Boiled, John Woo, 1992; Lust Caution, Ang Lee, 2007; Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021) is often absent for similar reasons. It gradually dawns on Su and Chow that their respective spouses are having an affair.… Read the rest

Categories
Features Live Action Movies

When Worlds Collide

Director – Rudolph Maté – 1951 – US – Cert. U – 79m

***

UK PAL laserdisc review, 1997.

Originally published on London Calling Internet.

Made the year before European-born producer George Pal’s The War Of The Worlds (Byron Haskin, 1953), this science-fictional disaster outing stages the end of the world by a star and orbiting planet Zyra rushing headlong towards the Earth. A handful of scientists build a Space Ark to save a chosen few humans via a perilous voyage to Zyra. But who will go – and who will stay behind and face annihilation?

From its opening Bible with destruction quotations to match, right through to its New Start For Humanity In A New World finale, this is infused with Pal’s Christian sensibilities. The script never allows that to get in the way of the story, however: the result is a compelling yarn that remains almost unique in the annals of SF cinema.

Director Rudolph Maté was a former cameraman whose prior experience included shooting Foreign Correspondent (Alfred Hitchcock, 1940) which features one of the most spectacular plane crashes in the movies. Together with lensing Dante’s Inferno (Harry Lachman, 1935), this stood him in good stead for pulling off the outstanding special effects work required for When Worlds Collide.… Read the rest

Categories
Features Live Action Movies

Possessor

The irredeemable flesh

Possessor
Directed by Brandon Cronenberg
Certificate 18, 103 minutes
Released 27 November

The controversial director David Cronenberg has long been an exponent of something he calls ‘the new flesh’, ways that humanity might transcend its bodies. His son Brandon is the same, his new film Possessor concerning the world of cybernetic industrial espionage. Tasya Vos (Andrea Riseborough) is an assassin working for a company run by Girder (Jennifer Jason Leigh), which injects her consciousness into other people as host personalities so that, wearing the clothing of their minds and bodies, she can kill designated targets before being extracted…

His father’s notorious Crash (1996) was restored for reissue in November… [Read more]

Read the full review in Reform.

Read my alternative review here.

Trailer:

Categories
Features Live Action Movies

Sputnik

Director – Egor Abramenko – 2020 – Russia – Cert. 15 – 113m

***** some of the underlying concepts and all of the special effects

** everything else

Available on VoD from Friday, August 14th. Now on Netflix

In the early 1980s a two-man Russian spacecraft undergoes a mysterious incident during its return to Earth leaving one of the crew dead. He has had half his helmet and half his head ripped off.

Survivor Konstantin Veshnyakov (Pyotr Fyodorov) is confined to a research base in the middle of nowhere for observation. Supervisor Kirill Averchenko (Aleksey Demidov) recruits psychiatrist Tatyana Klimova (Oksana Akinshina) who is in trouble for taking ethically questionable decisions concerning the life of a patient, believing that she did the right thing and saved a life. Averchenko needs someone who will do whatever it takes and damn the consequences and he would appear to have judged her correctly. Once there, however, she finds herself in conflict with chief scientist Yan Rigel (Anton Vasilev).

She quickly learns that the surviving, isolated cosmonaut is the host to an alien parasite which leaves his body at specific times of night then returns. And Konstantin, who suffered memory blackout during the return to Earth, doesn’t seem to know about the parasite.… Read the rest

Categories
Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review of the UK DVD was originally published in What DVD. See also my review for the Arts Centre Group’s member’s newsletter.

Sold as a sex and car crash (and by implication action) movie, Crash is in reality something very different: intelligent, grown-up science fiction. The former description being an easy sell, especially with the added (ridiculous) controversy surrounding the film’s (eventual) UK release, the inevitable resultant popcorn sensation‑seeking mass audience was largely disappointed.

That said, for those viewers prepared to engage brain, deal with tough subject matter and go the distance, it’s a masterpiece. But if you’re someone to whom the concept of sex scene as narrative device sounds too much like hard work, you probably shouldn’t touch it.

On the other hand, admirers of director Cronenberg (The Brood, Scanners, Dead Ringers, eXistenZ) or novelist J.G.Ballard (Empire of the Sun) will appreciate the film’s uncompromising vision. Although Crash is not especially unnerving by Cronenberg standards, it’s extremely shocking by those of mainstream movies and has the potential to confuse or overwhelm an average audience.

While it brims with sex scenes, they’re not particularly arousing in tone being close to the emotionally cold experience of watching laboratory experiments.… Read the rest

Categories
Documentary Features Live Action Movies Music

Last And First Men

Director – Jóhann Jóhannsson – 2020 – Iceland – 71m

****

Available on BFI Player (extended free trial offer here) from Thursday, July 30th

This is the only feature directed by the late and renowned composer Jóhann Jóhannsson who has been releasing albums since Englabörn (2002) and has provided the soundtracks for such films as The Miners’ Hymns (2010), The Theory Of Everything (2014), Sicario (2015) and Arrival (2016). Last And First Men was originally a multimedia project performed in Manchester International Festival in 2017 with the BBC Philharmonic orchestra. While its appearance on BFI Player is most welcome, there are plans to tour the film with a live orchestra in the future.

To describe the film as based on or an adaptation of Olaf Stapledon’s cult SF novel Last And First Men: A Story Of The Near And Far Future (1930) is both accurate and misleading. Accurate because the scripted monologue spoken by Tilda Swinton (a terrific voice performance that would be a pleasure to listen to on its own, no other sounds or images) which runs throughout the film is adapted from that source. Misleading because the film largely comprises live action cinematography of architecture beneath skies in rural landscape against a soundtrack of Jóhannsson‘s specially composed music and Swinton’s narration.… Read the rest

Categories
Animation Features Live Action Movies

The Fabulous
Baron Munchausen
(Baron Prášil)

Director – Karel Zeman – 1961 – Czechoslovakia – Cert. U – 85m

*****

Available on Blu-ray/DVD and now on BFI Player too.

This capsule review originally appeared in Reform in 2017 as part of a wider Watch And Talk review roundup.

Using not only live action but also every form of animation you can imagine, the 1961 Czech fantasy The Fabulous Baron Munchausen (BD/DVD, cert U, 85 mins) puts the infamous teller of tall tales in the company of a rational astronaut he meets on the moon for a series of improbable adventures. It’s a charming and delightful piece of escapism and a visual marvel from start to finish.

Director Karel Zeman has probably come closer than anyone to filming the equivalent of a moving woodcut and the whole thing is highly inventive throughout, challenging the very idea of what a film might look and feel like. Children and adults alike will be entranced. For good measure, the disc includes a documentary in which students try to recreate some of the film’s spectacular special effects.

Trailer here:

This capsule review originally appeared in Reform in 2017 as part of a wider Watch And Talk review roundup.

Categories
Animation Features Live Action Movies

Invention
For Destruction
(Vynález Zkázy)

Director – Karel Zeman – 1958 – Czechoslovakia – Cert. U – 82m

*****

Blu-ray/DVD available from Second Run.

Review originally written as an entry for

the Aurum Film Encyclopedia: War (series editor: Phil Hardy).

Sadly, the book was never published.

Vynález Zkázy

aka

Invention For Destruction,

The Invention Of Destruction,

The Deadly Invention,

The Fabulous World of Jules Verne (1961, US version)

KRATKY FILM PRAHA | STUDIO LOUTKOVYCH FILMU GOTTWALDOV

Feature length trickfilm adaptation of Jules Verne’s novel Une Invention Diabolique is less about war itself than its causes – specifically scientists who work without regard for how their experimental research will be used by others. Professor Roche (Navrátil) is kidnapped from a sanitarium and taken by clipper (towed by a prototype submarine invisible from the surface) to the island of Back-Cup where mysterious captor Count Artigas (Holub) invites him to continue his research – a task the childlike scientist is happy to undertake. The professor’s travelling companion, research assistant and the film’s narrator Simon Hart (Tokos) wants by contrast to escape and warn the world of Artigan’s plans to attack using a giant gun.

Zeman shoots his film with an all-encompassing diversity of live action and animated techniques, mixing actors, natural history photography and studio sets (augmented by drawings of set sections matted into his locked-off frame) on the one hand with live action and stop-frame puppetry, animated models, drawings and any other method you care to name.… Read the rest

Categories
Animation Features Live Action Movies

Journey
To The Beginning
Of Time
(Cesta Do Pravěku)

Director – Karel Zeman – 1955 – Czechoslovakia – Cert. PG – 86m

*****

Blu-ray/DVD available from Second Run.

I’ve written about the pioneering Czech director Karel Zeman in these pages before regarding his 1961 film The Fabulous Baron Munchausen (BD/DVD, cert U, 85 mins). The latest of his works to see a release in a beautifully restored version is 1955’s Journey To The Beginning Of Time (BD/DVD, cert PG, 86 mins) in which four young boys go back in time to find a trilobite and see numerous other prehistoric beasts on the way, realised by an astonishing array of animation and special effects techniques.

The film flows very naturally and has a commendable awe of the created world. The subtitled Czech version is the one to watch first. The disc also includes the surprisingly effective US dubbed version with its different opening sequence at the American Museum Of Natural History and a different closing sequence with stock footage of volcanoes and a gratuitous voice-over about the Genesis creation myth.

Trailer here:

This capsule review originally appeared in Reform in 2019 as part of a wider Watch And Talk review roundup.

Categories
Art Features Live Action Movies

Snowpiercer
(Seolgungnyeolcha,
설국열차)

Director – Bong Joon Ho – 2013 – South Korea – Cert. 15 – 126m

South Korean director Bong Joon Ho’s Snowpiercer (2013), which never had a theatrical release in the UK during its original, international run, finally appears in the UK on home video. Described as “High Rise on a train” by Mark Kermode, it’s an uncompromising dystopian vision, and we can safely attribute its appearance on Blu-ray to a double whammy – Bong’s Oscar-winning box-office hit Parasite, and the broadcast this month of the long-delayed Snowpiercer TV series.

An ecological catastrophe has turned the Earth into a frozen wasteland. The only people still alive are those on a train annually circling the globe. Some are there because they’re rich, others because they were lucky enough to get on board. The rich live in luxury at the front while the poor are kept in squalor at the back. Two members of the lower orders lead a revolt, travelling the length of the train to eventually confront the train’s wealthy industrialist creator. Like the more complex Parasite, it pits ordinary people against wealthy elites.

I review Snowpiercer for All The Anime.