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Fanny Lye Deliver’d

The new normal?

Fanny Lye Deliver’d
Directed by Thomas Clay
Certificate 18, 110 minutes
Released digitally on 26 June

Shropshire, 1657. The aftermath of the English Civil War and a time when ideas about politics, relationships, religion and society are up for grabs. Fanny (Maxine Peake) is the young wife of Captain John Lye (Charles Dance) who fought under Cromwell and has been given a farmhouse by way of thanks. The puritan couple have a son, Arthur, who is too young to have lived through the war. The God-fearing and articulate John takes the family to chapel weekly (we never see them there, just going and returning) and keeps his son and, particularly, his wife in order using a mixture of Scripture reading, prayer and corporal punishment.

I review Fanny Lye Deliver’d for Reform.

Here’s the trailer:

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Apostasy

Disfellowshipped

Apostasy
Written and Directed by Dan Kokotajlo
Certificate PG, 96 minutes
Released 27 July (Cinemas and On Demand)

Now on Amazon, BFI Player and Curzon Home Cinema.

Review first published in Reform magazine.

In Dan Kokotajlo’s debut feature film Apostasy, student sisters Alex (Molly Wright) and Luisa (Sacha Parkinson) and their working mum Ivanna (Siobhan Finneran) are Jehovah’s Witnesses in Manchester waiting for the New System, when Christ will return and paradise will be restored on earth. Alex has a blood condition and is only alive because a hospital nurse gave her a transfusion after birth before her mum and the elders were aware of it: now she’s 18 and must decide for herself whether she will allow transfusion in the event of a life-threatening emergency. She’s a model Witness, attending Urdu Bible classes in order to take the Word to the local ethnic minority community.

Luisa, in contrast, gets pregnant… [Read the rest]

Now on Amazon, BFI Player and Curzon Home Cinema.

Review first published in Reform magazine.

Trailer:

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Wings Of Eagles

Serving the true God

Wings Of Eagles
Directed by Stephen Shin, Michael Parker
Certificate 12, 108 minutes
Released 12 March 2018

A sequel of sorts to Chariots of Fire, Wings Of Eagles tells the story of Eric Liddell’s missionary years in China. He’s played here by Joseph Fiennes, an actor who has grappled with one aspect or another of Christianity in several stories (Risen, The Handmaid’s Tale, Luther) and seems to thrive on roles like this. The film’s focus on British missionary work in China evokes The Inn of the Sixth Happiness about Gladys Aylward.

Liddell famously refused to run an Olympic race on Sunday, believing that no work should be done on the Lord’s Day. Later, he went to China with the London Missionary Society, taking his family with him, then sending them home after the Japanese invaded… [Read the rest]

Trailer:

Review originally published in Reform, March 2018.

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Features Live Action Movies

Witness

UK PAL laserdisc review.

Originally published on London Calling Internet.

Distributor Pioneer LDCE

£19.99

BBFC Certificate 15

Director Peter Weir (1985)

Starring Harrison Ford, Kelly McGillis, Lukas Haas, Danny Glover

Running Time 108 min

Dolby Surround

Widescreen: 1.85:1

Chaptered? Yes

CLV

2 Sides

First American movie by Australian director Weir was also Ford’s first attempt at serious acting (for all those who think the star didn’t have his work cut out on the Indiana Jones or Star Wars films which previously made his name). The piece shifts constantly between a generally unremarkable gun-laden, American cop thriller on the one hand and an utterly unique portrait of Amish life on the other – so unique, in fact, that most people who have heard of the Amish have done so through this film.

The simple respect afforded the Amish – an extreme post-Anabaptist, post-Mennonite Christian tradition that abhors post-industrial material in favour of a pre-industrial community lifestyle – is quite extraordinary given Hollywood’s usual smack-in-the-face / pat-on-the-head attitude towards Christianity. Here, Weir just notes and observes, making no judgements one way or the other, leaving us rather to make up our own minds.

What Weir does do, though – and to remarkable effect – is juxtapose this clean and idealistic world with a foul-mouthed, urban universe of corrupt cops.… Read the rest