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Features Live Action Movies

I, the Song

Director – Dechen Roder – 2024 – Bhutan, Norway, Italy, France – 112m

*****

A woman fired from her teacher’s job for appearing in an online sex video she claims is of someone else sets out to find her doppelgänger and clear her name – winner of Best Director in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

This starts off deceptively with singing children’s voices, cutting into accompanying images of a school play with the children costumed as various types of flowers. The camera moves slowly to the back of the school hall where watching teacher Nima (Tandin Bidha) is told she is urgently needed in the office of the principal (Kezang Dorjee aka Kazee), where she finds herself being fired because of the video, now widely seen online, in which she appears. She protests that the person in the video isn’t her, but the principal says he can’t have her seen on school premises with so many parents about today.

She phones her boyfriend Penjor (Dorji Wangdi), who is in the middle of a gig hosting traditional Bhutanese folk plays. She goes to see him. His reaction is, “so, I’m not the only person who thinks it’s you.”… Read the rest

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The Substance

Director – Coralie Fargeat – 2024 – US – Cert. 18 – 140m

****1/2

Hollywood star Elisabeth Sparkle (Demi Moore) hosts a network TV keep fit show, but she’s getting on in years – and so is her audience. The show’s producer Harvey (Dennis Quaid) has decided that younger talent is needed in order to attract a younger audience, and gives her the elbow. By a quirk of fate or screenplay, a mailshot about something called The Substance arrives in her penthouse apartment. It’s some sort of beauty product, although the high-end design of the blurb doesn’t explain exactly what it is or what it does. There’s a phone number.

Elizabeth’s identity is bound up with the former show. She calls the number. She engages in conversation with the unseen voice on the other end of the phone. She decides to give The Substance a try. She is told to write down an address. Later, she is sent locker card key number 503 and instructed to collect her package from that address. It turns out to be a derelict entrance with a shutter that only opens part way to about a yard in height, meaning you have to duck under it.… Read the rest

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Vampire
Vs
Vampire
(Yi Mei Dao Ren,
一眉道人)

Director – Lam Ching-ying – 1989 – Hong Kong – Cert. 15 – 87m

***1/2

A Taoist priest must defeat various supernatural forces including a Western-style vampire occupying a coffin in an old church – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

Turned into a star by playing the Taoist priest who fights off jiangshi (hopping corpses) in the Mr. Vampire films, Lam went on to play similar characters in films and TV for the rest of his career until his death at age 44 in 1997. He directed this particular film himself, and while it sits easily alongside the ‘official’ Mr. Vampire entries, it’s a little bit different.

Once again, Lam’s Taoist priest and two bumbling assistants Hoh (Chin Siu-ho) and Fong (Lui Fong) battle with ghosts and other supernatural forces. First up is a ghost made up of excrement and teeth which escapes from imprisonment in a jar exposed to too much moonlight, which trope inverts Western vampire lore about burning up in sunlight.

Given directorial reins, Lam shows surprisingly little interest in jiangshi, their presence consisting of one friendly child (Lam Jing-wang) inspired by Mr.Read the rest

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In Fabric

Director – Peter Strickland – 2018 – UK – Cert. 15 – 118m

*****

A red dress bought from and returned to a department store wreaks terrible fates on serial owners in a film much stranger and more worthwhile than it sounds – now on MUBI and Curzon Home Cinema

A wildly inventive and unashamedly British affair, Strickland’s latest film mixes tacky 1970s aesthetics with several workplaces – a department store, a personal loans company and a washing machine repair firm. Clothing emporium Dentley & Soper is run on a series of arcane regulations, obedience to the seemingly arbitrary rules for conduct of personnel at Waingel’s Bank is encouraged by smarmy middle management types Stash and Clive (Julian Barrett and Steve Oram) while washing machine repair firm Slaverton’s Wash insists any personnel who mend their own machines must do so on the firm’s books.

Although the film is constructed on the portmanteau template used in many horror films, whether it’s a horror movie as such rather than a very strange and stylish arthouse movie is open to debate. Loosely linked narratives are woven around serial characters – Waingel’s employee Sheila (Marianne Jean-Baptiste), Slaverton’s repair man Reg Speaks (Leo Bill) and his fiancée Babs (Hayley Squires).… Read the rest