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Documentary Features Live Action Movies

My Name Is
Alfred Hitchcock

Director – Mark Cousins – 2022 – UK – Cert. 15 – 120m

*****

Idiosyncratic documentary is a personal journey through Hitchcock’s movies narrated by the legendary director himself – out in UK cinemas on Friday, July 21st

Hitchcock having been dead for over four decades, he doesn’t actually narrate this film. The voice over is instead a convincing impression by Alistair McGowan and even though you know it’s a trick, you soon settle in to the idea that Hitch genuinely recorded a voice over for this film. Cousins even plays along with the odd, “yes, Mr. Hitchcock.”

Cousins has these days established himself as a documentarian of cinema, covering subjects as integral as the act of looking itself (The Story Of Looking, 2021) and key directors such as Orson Welles (The Eyes Of Orson Welles, 2018). He’s very knowledgeable on cinema and numerous other subjects, and the effect is rather like spending a pleasant evening chatting in the pub with a friend possessing these skillsets (albeit a pub equipped with the ability to unobtrusively show film clips as and when needed). He’s also very much his own man, a superb communicator with his own unique way of looking at things, so you’d expect a film about as well known a director as Hitch to be not only well-informed about its subject but also to offer some unique insight or perspective that mark the production out as coming out of Mark Cousins’ head.… Read the rest

Categories
Documentary Features Live Action Movies

The Story Of Looking

Director – Mark Cousins – 2021 – UK – Cert. 15 – 87m

****

A highly personal film essay on the importance and significance of our visual senses – out in cinemas and on rental on BFI Player and Curzon Home Cinema from Friday, September 17th

This opens with archive interview footage of musician Ray Charles, blind since losing his sight in childhood, asked about whether he’d like to have sight back. He says no – he’s already seen the things he needs to see and can picture them – the stars, his mother. And when he hears the news, there are a lot of things he frankly is glad he can’t see, and feels sorry for all the people who can. Pushed as to whether he’d like to be able to see for just one day, he’d less sure, responding with a guarded “maybe”.

This footage appears to be a touchstone for film-maker Cousins, who constantly refers back to it in this film essay. Another pertinent, recurring image is a man standing on a row of chimney pots. If we could see through his eyes, what would we see?

Cousins has spent a life looking at things, firstly as a human being with a visual leaning, then later on professionally as a film maker.… Read the rest