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Marty Supreme

Director – Josh Safdie – 2025 – US – Cert. 15 – 149m

*****

In the 1950s, a young New Yorker with the odds against him is determined to become a top table tennis player – in cinemas from Friday, December 26th

Manhattan’s Lower East Side, the 1950s. Marty Mauser (Timothée Chalamet) has a dream. It is, admittedly, a pretty odd dream which involves him rising to the top of a sport to which no-one in his native America currently pays any attention: table tennis. Also, he is possessed of the quintessentially New York sensibility of the street smart hustler who can, he believes, sell anything to anyone. A mere 23 years of age, he is naive and optimistic, but if you think that means the hard realities of day-to-day living are about to grind him down, you’ve got another think coming. For Marty is nothing less than a force of nature, blessed with unshakeable self-belief. And he needs it, because in this seriocomic rollercoaster of a sports drama, the odds seem to be increasingly stacked against him at every turn.

On top of all this, Marty is at once the person who through shrewd manoeuvring on the one hand makes his own luck and slowly builds his own destiny, and through hubris on the other has an unfortunate tendency to shoot himself in the foot..… Read the rest

Categories
Features Live Action Movies

The Handmaiden
(Ah-ga-ssi,
아가씨)

Director – Park Chan-wook – 2016 – South Korea – Cert. 18 – 155m

****1/2

Available on BFI Player from Friday, March 18th

Weighing in at a lengthy two and a half hours, this lavish, sexually-explicit, South Korean pot-boiler is based on Sarah Waters’ 2002 novel Fingersmith, but moves the location from Victorian England to Japanese colonial-era Korea.

Waters’ tale concerns a conman’s plot to marry and then defraud a wealthy English heiress by confining her to an asylum. He bribes a young London pickpocket (the titular ‘fingersmith’) to take on a job as the wealthy lady’s maid, hoping to get her to persuade the woman to marry him. However, his plan falls apart when the two women fall for each other.

When director Park Chan-wook discovered the BBC had already made a 2005 miniseries, he transposed the plot to 1930s Korea (a Japanese colony at the time), co-writing his script with regular female collaborator Jeong Seo-kyeong. Broadly speaking, it substitutes well-off Japanese for well-off English, and Koreans for everyone else. The print being released in UK cinemas helpfully subtitles Japanese dialogue in yellow and Korean dialogue in white… [Read the rest]

Reviewed for All The Anime.… Read the rest