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Mickey 17

Director – Bong Joon Ho – 2024 – US – Cert. 15 – 134m

*****

Contracted to have his fleshly body reprinted, and his memory restored every time he dies, the expendable Mickey is assigned to a ship run by a right-wing power couple who plan to colonise a distant planet – science fiction adaptation is out in UK cinemas on Friday, March 7th

The snow has given way beneath his feet. Mickey Barnes (Robert Pattinson) has plummeted through several layers of ice and now lies helpless on a subterranean ice shelf. His best friend Timo (Stephen Yuen) comes to rescue him. Sorry. To retrieve mickey’s his gun, but leave Mickey himself there to die. Because, after all, it’s easier to reboot Mickey and upload his memories. His friend can’t but help to ask, “Mickey, what’s it like? To die?”

Left alone in the planet’s underground ice caves, where he’s already seen a fellow crew member attacked by cow-sized, insect-mammals for which will later be named “creepers”, Mickey 17 expects to be digested alive by the alien life forms. Of course he does – that’s what happens in movies about alien life on other planets. However, the script has some surprises in store, and the creepers, who are set to play a much bigger role in the story, don’t so much play the role of unfriendly monster as that of the misunderstood race of indigenous outsiders in relation to invading, would-be colonisers.… Read the rest

Categories
Features Live Action Movies

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(Gukgabudo-ui Nal,
국가부도의 날)

Director – Choi Kook-Hee – 2018 – South Korea – Cert. 12 – 114m

****

Drama fictionalises the economic crisis of mid to late 1990s South Korea and the role played by banking, government and speculators – teaser screening from the London Korean Film Festival (LKFF) 2019

The year is 1996. The news media are championing South Korea’s economy as it seemingly goes from strength to strength, never questioning whether financial institutions might in fact be pursuing practices which are sooner or later going to have disastrous economic results. Ms. Han Si-hyun (Kim Hye-su) who runs a fiscal policy unit at the Bank of Korea submits a devastating report to the Bank’s governor, explaining that she and her small department have procedures set in place to save the economy and protect ordinary Koreans from disaster.

The politicians have a very different agenda, however, specifically the smarmy Vice-Minister of Finance (Jo Woo-jin) who views financial collapse as a way to weaken the rights of the working class and restructure the economy in favour of large business interests. Although it’s not name checked, there are echoes here of Naomi Klein’s book The Shock Doctrine and the film based upon it.… Read the rest