Billy Crystal Archives - Jeremy C. Processing

Director – Jason Reitman – 2024 – US – Cert. 15 – 109m

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A journey through the behind the scenes chaos of the 90 minutes prior to the broadcast of NBC’s first ever Saturday Night Live show – out in UK cinemas on Friday, January 31st

In the mid-1970s, US TV network NBC made a monumental change to its scheduled programming. For the best part of a decade, it had broadcast reruns of The Tonight Show with Johnny Carson on Saturdays and Sundays, and wanted something new which would capture the 19-34-year-old audience demographic, developing a replacement show with young, independent producer Lorne Michaels, the first episode of which was broadcast live on October 11, 1975. The show, which is still running on NBC today, became something of an institution in the US, kickstarting the careers of numerous comedy stars and writers who would go on to achieve considerable success in US film and TV.

Saturday Night is an attempt to put on the screen the chaos of that first night’s preparation, in which no-one quite knows if the show’s broadcast is going to go ahead, or whether the network will flip a switch and play the Carson rerun tape it has lined up in case Michaels (Gabriel LaBelle) can’t get his show together.… Read the rest

Monsters, Inc.

Directors – Pete Docter, David Silverman, Lee Unkrich – 2001 – US – Cert. U – 92m

The eponymous corporation employs one-eyed, green Mike Wazowski (voice: Billy Crystal) and big, all-over blue hairy James P. Sullivan (voice: John Goodman) to terrify kids, processing their screams into energy for use in the monster world’s power plants. Human touch being deadly to monsters, chaos ensues when little girl Boo (voice: Mary Gibbs) gets into monster world, exteriors of which owe much to New York.

The first Pixar feature to manage convincing hair has an opening minute recalling stop-frame short The Sandman (Paul Berry, 1991), a bar named Harryhausen’s, a fight with an invisible adversary straight out of Ghost in the Shell (Mamoru Oshii, 1995) and a much better integrated interdimensional door plot device than anime Urusei Yatsura Video 1 Inaba the Dreammaker (Satoshi Dezaki, 1987). Minor details aside, the inventive and original narrative runs true to form, though the directorial team’s leanings prove unexpectedly closer to Disney’s fast-paced, gag-orientated The Emperor’s New Groove (Mark Dindal, 2000) than to Pixar’s heart-warming Toy Story (John Lasseter, 1995).

(Notes written at the time of release; previously unpublished.)