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One Cut Of The Dead
(Kamera
Wo Tomeruna!,
カメラ
を止めるな！)

Director – Shinichiro Ueda – 2017 – Japan – Cert. 15 – 96m

The first 37 minutes *****; the rest ***1/2

A zombie film being shot in one long, single take and set in an abandoned warehouse is attacked by zombies… or is it? – on a Hollywood Edition Blu-ray on Monday, May 31st

With a title that translates literally as “Don’t Stop The Camera!”, this is a loving homage to both the movie shot in one take and the zombie movie. Or so it appears for its first 37 minutes, after which it turns into a comic drama about film making.

Let’s start where the film does, with its first 37 minutes. Chinatsu (Yuzuki Akiyama) is defending herself with an axe from her boyfriend Ko (Kazuaki Nagaya) who has turned into a zombie. However, like the girl facing a knife-wielding maniac at the start of Blow Out (Brian De Palma, 1981) the actress playing her is not very good and the illusion of the film collapses much as the illusion of Blow Out does when the actress delivers the most pathetic scream you’ve ever heard.

As the film delivers its first revelation – that this is not a woman defending herself against a zombie but the shooting of a movie scene of an actress portraying a woman defending herself against an actor playing a zombie – director Higurashi (Takayuki Hamatsu) storms into the scene to berate her for her shortcomings.… Read the rest

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Documentary Features Live Action Movies Music

Delia Derbyshire:
The Myths
And Legendary
Tapes

Director – Caroline Catz – 2020 – UK – 98m

*****

Docudrama explores the ten years the legendary electronic musician spent at the BBC Radiophonic Workshop – on BBC iPlayer from Sunday, May 16th for a year

Part documentary, part drama and part performance art, this is a fascinating examination of Delia Derbyshire, the woman who between 1962 and 1973 worked in the BBC Radiophonic Workshop. The film does examine her life and career before and after that, but only briefly. After studying mathematics and music at Cambridge, she became interested in music as an expression of mathematics and, as such, knew that the Radiophonic Workshop was the place she wanted to be.

We see Delia (writer-director Caroline Katz) interviewed for a job at Decca Records only to be told that women don’t work in the technical department but there are openings for secretaries. It’s easy to see that as sexism now, but at that time such attitudes were commonplace. She wonders if her interviewer was the person who turned down the Beatles. We see interviewed Dutch video artist Madelon Hoodykas with whom she collaborated in The Netherlands after her BBC period and there’s some brief footage of the LYC museum set up by Li Yuan-chia near Hadrian’s Wall where she spent some time after a disastrous marriage to a man with whom she had little in common with beyond drinking.… Read the rest

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Features Live Action Movies

One Night
(Hitoyo,
ひとよ)

Director – Kazuya Shiraishi – 2019 – Japan – Cert. N/C 15+ – 123m

****1/2

A woman murders her violent husband after years of his beating up the kids, goes to prison then returns 15 years later to find the siblings in turmoil – played online in the Japan Foundation Touring Film Programme 2021 in the UK

A night of torrential rain proves a defining moment in the lives of the Inamura family which owns and runs a taxi business. Koharu (Yuko Tanaka – Princess Mononoke, 1997) enters, dressed in her usual suit she wears to drive customers around, to announce to her three teenager children, “I’ve just killed your father. Nobody will ever beat you again. You can live however you want. You’re totally free.” Expressing no remorse and convinced she’s done the right thing, she promises to return in fifteen years then disappears to hand herself in to the cops.

Koharu’s designs of freeing her kids from their father’s years of violent abuse don’t quite play out the way she had hoped. Their father would beat them for any suggestion that they’d want to do anything other than work in the family taxi business. The eldest Daiki (Ryohei Suzuki – Our Little Sister, Hirokazu Kore-eda, 2015; Tokyo Tribe, Sion Sono, 2014) is a stutterer whose relationship with wife Fumiko (Megumi) is mired in divorce proceedings as he struggles to hold down a regular job.… Read the rest

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Features Live Action Movies

Justine

Director – Jamie Patterson – 2021 – UK – Cert. 15 – 82m

***1/2

LGBQT romance. Fiercely intelligent, young woman living in Brighton with no prospects falls for a student teacher – out exclusively on Curzon Home Cinema from Friday, February 5th

A young woman with a bruised lip soaks in the bath. Her landlord pounds on the door of the flat demanding rent. She gets out of the bath – in wet clothes, and answers, putting him off ’til another day.

Welcome to the world of Justine (Tallulah Haddon) – young, intelligent, in good health and damaged. She fills a plastic water bottle with vodka and swigs from it regularly. She hangs out and goes shoplifting with her best mate (Xavien Russell) who has his own problems – his mother has a new boyfriend who’s all over her and he can’t bear to be in the house. Regular meetings with her probation officer (Sian Reese-Williams) suggest a young woman closed in on herself, desperate for love and affection. No educational qualifications. No job. Lacking hope or ambition for anything. Except, perhaps, death or oblivion.

And yet, she loves to read. And one day browsing and lifting in a bookshop she spots a young woman.… Read the rest

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Features Live Action Movies

The Personal History
Of David Copperfield

Director – Armando Ianucci – 2019 – UK – Cert. PG – 119m

***

What the Dickens? A Victorian recalls his life from birth to middle age and the many people he encountered along the way – on VoD in June

The mid-19th century novel The Personal History Of David Copperfield is considered Charles Dickens’ masterpiece. Narrated in the first person by the eponymous David, it tells of one man’s life from birth through a series of adventures and encounters with a motley crew of relatives, friends and associates that seem to span the social breadth of Victorian England.

To cut the novel’s tale down to a manageable movie length, director Ianucci and his co-writer Simon Blackwell have dumped certain characters and subplots to focus on others. As with the director’s previous outing The Death Of Stalin (2017), the final film half works yet is beset by strange casting choices – actors playing Russians sporting a variety of English dialects in Stalin, various BAME actors playing roles that aren’t always entirely believable in terms of their ethnicity in Copperfield. That includes the film’s lead Dev Patel, who plays David convincingly as a wide-eyed innocent… [Read more]

The Personal History Of David Copperfield is out in the UK on Friday, January 24th.… Read the rest

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Features Live Action Movies

Rialto

Director – Peter Mackie Burns – 2019 – UK, Ireland – Cert. 15 – 89m

****1/2

A man who has recently lost his father faces uncertainty about his future – in cinemas from Friday, October 2nd

Colm (Tom Vaughan-Lawlor), 48, works in middle management at a port in Dublin. Various aspects of his life are in crisis. He meets a young man (Tom Glynn-Carney) in a shopping mall public lavatory and a relationship of sorts ensues. A corporate takeover at work means Colm may lose his job which he’s had since he was a teenager. At home in the suburb of Rialto, he talks to his grown up daughter Kelly (Sophie Jo Wasson) but not so much to his wife Claire (Monica Dolan) while he and his grown up son Shane (Scott Graham) don’t get on at all. All of which is underscored by Colm’s recent loss of his dad, with whom he had a pretty lousy relationship.

This is a film which constantly surprises in the sense that, if you were to guess the synopsis based on the first ten, or 20, or 30 minutes, you’d guess wrong. It’s not directly about a rent boy, or redundancy, or relationship breakup, or alcohol dependency, although it covers all those elements in some detail.… Read the rest

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Features Live Action Movies

Finding The Way Back

Director – Gavin O’Connor – 2020 – US – Cert. 15 – 108m

***

Available on VoD from Friday, July 10th

Jack Cunningham (Ben Affleck) has a drink problem. He separated from ex-wife Ange (Janina Gavankar) over a year ago. With his life going nowhere, Jack gets a phone call asking him to drop in on the Catholic school where he used to play baseball which turns out be be a job offer for team coach since the incumbent has just unexpectedly had a heart attack. Jack used to be the team’s star player back in the day, but he isn’t sure if he should take the job.

Anyway, he goes for it and finds himself building a bunch of no hope kids into a winning team. He has to fire one who turns up late for practice and build the confidence of the best player on the team who doesn’t believe he should be team captain. He has to stop swearing because it’s against school policy and he must deal with his drinking problem before it gets the better of him. He has bigger personal issues to confront as well– there are reasons why he drinks.

This deceptively ordinary drama accomplishes everything it sets out to do and will hold your attention throughout.… Read the rest

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Features Live Action Movies

Secretary

Secretary

Director – Steven Shainberg – 2002 – US – Cert. 18 – 106m

*****

A Snake Of June (Rokugatsu No Hebi, 六月の蛇)

Director – Shinya Tsukamoto – 2002 – Japan – Cert. 18 – 77m

*****

Double DVD review originally published in Third Way, February 2004.

The cover image (rear view of a female figure in tight, short skirt and stockinged legs, bent down, hands grasping ankles) suggests titillation, but the American production Secretary is actually a serious drama – albeit one laced with a healthy dose of black humour – about a sadomasochistic relationship. But beneath its fetishistic surface, it is something else – an exploration into why two specific people (and why they in particular rather than any others) make one flesh. And how that works for them if the two people are initially in some way damaged (as we all are).

Although from a very different culture, its Japanese counterpart A Snake Of June – made by the experimental cyberpunk auteur Tsukamoto (of Tetsuo: The Iron Man fame) – explores much the same territory. Being small, low budget productions frees both films from mass, multiplex mainstream audience demands, allowing their directors to instead tackle (inter)personal relationship issues in depth.… Read the rest