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Art Documentary Features Live Action Movies

War Paint
Women at War

Director – Margy Kinmonth – 2025 – UK – Cert. 12a – 89m

*****

A look at the output of various women artists who have documented and dissected war, and what they can tell us – out in UK cinemas on Friday, March 28th

Although being promoted, reasonably enough, with an image from World War Two of women working with barrage balloons, right from the start in narration over its opening titles this breaks the mould for anyone expecting it to cover any one specific historical or geographical war. “I’m going to talk to women all round the world”, says director Kinmonth in regard to the concept of war as a catalyst for creativity. “What do women see that men don’t?” Quite apart from her gender, she is well-placed to tackle such a subject having recently made two documentaries on the subject of war artists: Eric Ravilious: Drawn to War (2022), War Art with Eddie Redmayne (2015), and many more before that on the subject of art in assorted social contexts.

The film is a compendium of interviews with living female artists or, in the cases of artists who’ve passed on, their descendants or proponents. Some of the names are familiar, such as Lee Miller, Maggi Hambling or Dame Rachel Whiteread, others much less so.… Read the rest

Categories
Features Live Action Movies

One Of Our Aircraft
Is Missing

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1942 – UK – Cert. PG – 103m

*****

Forced to bail out following an otherwise successful mission in which one engine is disabled, a British bomber crew must find their way across occupied Holland to return to the safety of Britain – part of major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger from Monday, October 16th at BFI Southbank, also on BFI Blu-ray; other films in the season can be found on BFI Player

Made at the height of World War II, the first Powell and Pressburger / The Archers movie to deploy that verbal credit as such – but without their later trademark opening shot of an arrow striking its target – is in essence a propaganda exercise in the guise of a narrative feature film made to bolster wartime morale at home. However, the pair pull the whole thing off with such verve and inventiveness that it feels less an exercise in propaganda and more a rattling good yarn (without compromising either way).

It opens like a bizarre ghost story (as bizarre as the curse upon the Lairds of Kiloran in the castle ruins of “i know where I’m going!”Read the rest