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The Seed
of the Sacred Fig
(Dane-ye
Anjir-e Ma’abed,
دانه‌ی انجیر معابد)

Director – Mohammad Rasoulof – 2024 – Iran, Germany, France – Cert. 15 – 167m

*****

An Iranian state functionary, married with two teenage daughters, is promoted to the position of judge at the same time as the Women, Life, Freedom protests erupt… And then, his gun goes missing at home… – out in UK cinemas on Friday, February 7th

A film so extraordinarily brilliant that it is almost impossible to conceive.

An opening intertitle explains the remarkable life cycle of a tree which grows on one of the southern Iranian islands. Its seeds fall onto the branches of other trees through bird droppings. The seeds then germinate, and their roots move towards the ground. When the roots reach the ground, the sacred fig tree stands on its own feet and its branches strangle the host tree.

2022. The tireless and diligent work of state functionary Iman (Missagh Zareh) has finally been rewarded; he is to be appointed a judge. In a repressive regime like Iran, that’s not a job looked upon favourably by most of the population, so his work gives him a pistol just in case he should need to defend himself or his family. At home, in the Tehran apartment where he lives with his family, he keeps the weapon in a drawer.… Read the rest

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Features Live Action Movies

A Woman Judge
(Yeopansa,
여판사)

Director – Hong Eun-won – 1962 – South Korea – 87m

***

A woman becomes a judge at a time when the idea of women in such professions is unheard of – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank – from the London Korean Film Festival 2019

Heo Jin-suk (Moon Jeong-suk from Aimless Bullet, Yu Hyun-mok, 1961; The Devil’s Stairway, Lee Man-hee, 1964) wants to be a judge, traditionally a male profession. Her childhood sweetheart Wan Dong-hoon (Park Am from Promise of the Flesh, Kim Ki-young, 1975; The March of Fools, Ha Gil-jong, 1975) always assumed they were destined to be married. He too has entered the professions, in his case as a doctor. That’s okay for him, being a man, but for her, he thinks it will conflict with her duties as a wife and mother. So she dumps him. 

This looks like being a mistake since, on some level, his motives are pure. Instead, she ends up married to Chae Gye-sik (Kim Seok-hun) – not so much because of the man but because his social climber father, CEO of Sangyeon Construction Chae Sung-jin (Kim Seung-ho) thinks marrying off his son to one of the first female judges would be a really good idea, not least since it might put him in a useful position to be able easily bribe a member of the judiciary. … Read the rest

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Features Live Action Movies

The Housemaid
(Hanyo,
하녀)
(2010)

Director – Im Sang-soo – 2010 – South Korea – Cert. 18 – 110m

****

The husband of a well-heeled family has an affair with the new maid, arousing the ire of his loyal housekeeper and ruthless mother – screening on Saturday, October 22nd, 17.15 at Odeon Luxe West End 2 as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) at London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th; the film is also showing on BFI Player subscription

It’s inevitable that a South Korean film with this title invites comparisons with Kim Ki-young’s 1960 film of the same name, a watershed in Korean cinema. Whatever its virtues, Im Sang-Soo’s film can’t similarly be a watershed. If it’s based on that film as its end credits claim, it abandons the original’s central thesis. The housemaid here is not a social climber intent on seducing the husband. Rather, the family are part of the pampered super-rich elite, a small girl Nami (Ahn Seo-hyun, star of Okja, Bong Joon Ho, 2017) who takes having a maid for granted, a heavily pregnant wife Hae-ra (Woo Seo) who thinks the difficulties of having to raise children yourself are “for common people” and a husband Hoon Go (Lee Jung-jae from TV mini-series Squid Game, Hwang Dong-hyuk, 2021) who, unable to get full sexual services from his pregnant wife, seeks his pleasures with the new maid Li Eun-yi (Jeon Do-youn) who appears, initially at least, somewhat uncomfortable with the idea, but then goes with the flow.… Read the rest