Tag: museum

Exhibition on Screen:
Mary Cassatt:
Painting
the Modern Woman

Post author By Jeremy Clarke
Post date 8 March 2023
No Comments on Exhibition on Screen:
Mary Cassatt:
Painting
the Modern Woman
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Director – Ali Ray – 2023 – UK – Cert. U – 93m

*****

A look at an often overlooked member of the Impressionists, a US-born, female painter and printmaker who moved from Philadelphia to live in France – out in UK cinemas for one day only on Wednesday, March 8th (International Women’s Day)

I had never heard of Mary Cassatt when I came to this documentary. I’m not really sure why not (apart from the obvious reason, the widespread exclusion of numerous women artists from the annals of art history until recently) and feel indebted to this remarkable study for introducing me to her work. It comes as no surprise that the film was produced by Phil Grabsky for his excellent Exhibition On Screen series about art, although what IS a surprise here is that all the interviewees in this instance are women. Nothing at all wrong with that if they have something of value to say, which they clearly do.

One could argue that the piece has a very strong feminist leaning with its emphasis on women being free to live their lives as they choose. It’s tempting to say that one could forget the gender bias here and simply say that all the interviewees have important insights to share and do a good job.… Read the rest

Tags A Bar At The Folies-Bergère, Ali Ray, America, aquatint, art collection, art exhibition, art gallery, artists, artists’ community, Bronwen Bradshaw, Carravaggio, Cézanne, coiffure, Correggio, Dejeuner Sur L’Herbe, drypoint, Ecouen, Edgar Degas, etching, exhibition, Exhibition On Screen, female experience, feminine, feminism, France, Franco-Prussian War, Gauguin, gender dynamics, Impressionists, Italy, Japan, Japanese print, Japanese woodblock, Manet, mirrors, mother, mother and child, Musée Des Beaux-Arts, museum, Napoleon II, Old Masters, painting, Paris, Parma, Pennsylvania Academy Of Fine Arts, performance, Phil Grabsky, Philadelphia, Pittsburgh, priest, print, printmaking, Salon, Salon Des Refusés, seeing and being seen, Seville, space and mirrors, Spain, the Louvre, theatre, toilette, UK, US, Van Gogh, Washington DC National Gallery, wealth, women artists

Features Live Action Movies

After Yang

Post author By Jeremy Clarke
Post date 22 September 2022
1 Comment on After Yang
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Director – Kogonada – 2022 – US – Cert. PG – 96m

****1/2

In the distant future, a couple must come to terms with the loss of the eldest child, actually an A.I. purchased as an ethnically programmed companion for their adopted South East Asian daughter – SF mystery drama is on Sky Cinema from Thursday, September 22nd

Memory is one of the great themes of cinema because when you point a moving image camera at someone, you capture and preserve their moving image for posterity. (Something similar happens when you record the sound of someone’s voice. Or even if you write down their words on paper, a simpler, more primitive form of recording.) Memory is also one of the elements which defines us as human beings.

Full marks, then, to director (actually writer, director, editor) Kogonada for taking the short story Saying Goodbye To Yang by Alexander Weinstein and expanding it into a feature. As described in the parlance of the distant future world in which this is set, Yang is a technosapien (i.e. a robot), a purchased elder sibling of a family comprising father Jake (Colin Farrell), mother Kyra (Jodie Turner-Smith) and daughter Mika (Malea Emma Tjandrawidjaja).

Mika is adopted, and her ever so Hollywood liberal parents – he a white man who has built a business around his passion for tea, she a black woman who is a hard-working, highly motivated high-flier in a demanding corporate business that’s never really defined – are concerned that she connect with her South East Asian heritage.… Read the rest

Tags A.I., academic, Alexander Weinstein, artificial intelligence, audiovisual memory, brothers and sisters, budget, business, car journey, charge, charge fee, charge sum, Clifton Collins Jr., Colin Farrell, computer tech, conspiracy theory, core, corporate business, corporation, cultural heritage, disaster, ecological collapse, ecology, electric car, ethnicity, exhibition space, family, family portrait, future, garden, GIFs, Haley Lu Richardson, high-flier, home, home computer, image, Jodie Turner-Smith, Kogonada, law, legal, Malea Emma Tjandrawidjaja, memory, moving image, museum, next door neighbour, owner, parents and children, park, policy, post-disaster, reboot, recorded voice, refurbish, resolve issue, retail outlet, Ritchie Coster, robot, Sarita Choudhury, school run, sci-fi, science fiction, self-driving car, SF, shut down, sibling, software, software reader, South East Asia, spyware, tea, tech, technician, technosapien, upward mobility, won’t reboot, workbench, workshop

Animation Features Movies

Tad
The Lost Explorer
And The Curse Of The Mummy
(US: Tad
The Lost Explorer And The
Emerald Tablet;
Tadeo Jones 3.
La Tabla Esmeralda;
Tadeo Jones 3.
La Taula Maragda)

Post author By Jeremy Clarke
Post date 9 September 2022
No Comments on Tad
The Lost Explorer
And The Curse Of The Mummy
(US: Tad
The Lost Explorer And The
Emerald Tablet;
Tadeo Jones 3.
La Tabla Esmeralda;
Tadeo Jones 3.
La Taula Maragda)
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Director – Enrique Gato – 2022 – Spain – Cert. U – 90m

****

In Mexico, desperate for recognition as a bona fide archaeologist, our hero unearths an Egyptian sarcophagus and unleashes a mysterious power from an Inca temple – out in UK cinemas on Friday, September 9th

Gato’s third instalment of the Tad The Lost Explorer franchise is a lot better than it sounds, chiefly because it delivers narrative coherence and picks up and runs with numerous opportunities afforded by character and script where the similarly inventive Minions: The Rise Of Gru (Kyle Balda, Brad Ableson, Jonathan del Val, 2022) failed.

Having agreed with girlfriend Sara not to go public about his previous archaeological discoveries, Tad has with her help got on to the Chicago Museum’s dig in Mexico – as a lowly assistant, even though he seems more clued-up than the three qualified archaeologists in charge. Rashly opening a secret door by pushing a part of a wall frieze, he finds himself in a vast chamber containing an Egyptian sarcophagus, his report of which is pooh-poohed by his three superiors until, after firing him, they discover it for themselves and take the credit.

This rivalry between the ‘amateur’ Tad and qualified but comparatively clueless ‘professionals’ is kept up throughout the narrative, although the professionals remain secondary characters.… Read the rest

Animation Features Live Action Movies

Where Is Anne Frank

Post author By Jeremy Clarke
Post date 7 August 2022
No Comments on Where Is Anne Frank
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Director – Ari Folman – 2021 – Belgium, France, Luxembourg, Netherlands, Israel – Cert. PG – 99m

*****

In Amsterdam, a year from now, her imaginary friend Kitty sets out to discover what happened to Anne Frank – out in cinemas on Friday, August 12th

Amsterdam, Holland, about a year from now. Early in the morning, the usual tourist queues are assembling outside the Anne Frank House, passing a tent housing refugees on the pavement. Inside, something strange happens as a glass case shatters and the original copy of Anne’s diary is exposed to ink from a pen, affecting the ink writing on the pages and materialising Kitty (voice: Ruby Stokes), the imaginary pen-friend to whom Anne addressed her diary.

The materialised Kitty is perplexed. Where is Anne Frank? What has happened to her, to the house? The staff, too, are perplexed. They can’t let the waiting crowds in with the case broken, but those people have been queueing for hours and it seems wrong not to open up for them. After a brief debate a solution is found and the diary moved to Anne’s room where it is placed on the desk where it naturally sits. The concerns of the house staff seem trivial compared to those of Kitty.… Read the rest

Tags 1945, 2D animation, 3D model sets, Aardman, Albert Dussel, Amsterdam, Andrew Woodall, animation, Anne Frank, Anne Frank House, Anne Frank’s diary, Ari Folman, attic, attic hideout, Auschwitz, authority figure, capture, Clark Gable, crowds, defeat, dentist, dissolve, Edith Frank, Emily Carey, execution, fathers and daughters, German Occupation, German soldier, glass case, Greek mythology, Greek underworld, handbags, hidden, hidden attic hideout, hide, hiding, Holland, Holocaust, illegal immigrants, imaginary friend, imaginary pen-friend, immigrants, ink writing, invisibility, it can’t happen here, Jew, Jewish, Jewish ethnicity, Jews, Margot Frank, Michael Moloney, migrants, mothers and daughters, museum, Nazi Occupation, Nazis, Nell Barlow, Otto Frank, parents and children, pavement, pen and ink, pen-friend, Peter Van Daan, pickpocket, Ralph Prosser, refugees, Ruby Stokes, Samantha Spiro, Sebastian Croft, Second World War, sheltering, siblings, sisters, Skye Bennett, squat, Stuart Miligan, tent, the Allies, The Third Reich, thief, tourists, Tracy-Ann Oberman, trial, Tristan Oliver, UK, Van Daan, Veronica Lake, visibility, visitors, war crimes, war zone, World War 2, World War II, World War Two, WW2

Animation Features Live Action Movies

Where Is Anne Frank

Hiding from deportation

Where Is Anne Frank
Directed by Ari Folman
Certificate PG, 99 minutes
Released 12 August

Amsterdam, about a year from now. Inside the Anne Frank House, Anne’s imaginary pen-friend Kitty (voiced by Ruby Stokes) materialises out of the ink from the pages of Anne’s diary. The perplexed Kitty wants to know what happened to Anne, and starts reading her diary to find out, taking it with her when she leaves the premises where she is invisible. Outside the house, she becomes visible.

Asking police ‘Where is Anne Frank?’ she is shown the bridge, hospital, school and theatre bearing Anne Frank’s name and is told, Anne Frank is all around you. [Read the rest at Reform magazine…]

[Read my longer review…]

Trailer:

Tags 1945, 2D animation, 3D model sets, Aardman, Albert Dussel, Amsterdam, animation, Anne Frank, Anne Frank House, Anne Frank’s diary, Ari Folman, attic, attic hideout, Auschwitz, authority figure, capture, crowds, defeat, dentist, Edith Frank, Emily Carey, execution, fathers and daughters, German Occupation, hidden, hide, hiding, Holland, Holocaust, illegal immigrants, imaginary friend, imaginary pen-friend, immigrants, ink writing, invisibility, it can’t happen here, Jew, Jewish, Jewish ethnicity, Jews, migrants, mothers and daughters, museum, Nazi Occupation, Nazis, parents and children, pavement, pen and ink, pen-friend, Peter Van Daan, pickpocket, Ralph Prosser, refugees, Ruby Stokes, Sebastian Croft, Second World War, sheltering, siblings, sisters, squat, the Allies, The Third Reich, thief, tourists, trial, UK, Van Daan, visibility, visitors, war crimes, war zone, World War 2, World War II, World War Two, WW2