Tag: monsters

Categories
Animation Features Live Action Movies

The Pool
(นรก 6 เมตร)

Director – Ping Lumpraploeng – 2018 – Thailand – 91m

****

Now on Shudder, 30 days FREE with promo code SHUTIN

Day (Theeradej Wongpuapan) wakes up. There’s a lot of blood. He’s at the bottom of a drained, six metres deep swimming pool with a crocodile advancing towards him. But how did he – and for that matter the crocodile – get there?

Flash back to six days earlier. Day and his girlfriend Koi (Ratnamon Ratchiratham) are working on a movie set. He looks after the swimming pool and as a bonus his dog Lucky has to heroically jump from the poolside over the water in the schedule’s very last shot. The dog leaps, the crew gets the shot, it’s a wrap, everyone’s happy. In fact, Day is so happy that when almost everyone else has gone, he dozes off on a lilo in the pool while its draining. When he wakes, the water level has gone down so far that he can’t get out. Somewhere on the ground nearby, a flier announces an escaped crocodile on the loose.

I review The Pool for DMovies.org in my LEAFF (London East Asia Film Festival) 2019 coverage. Now on Shudder.… Read the rest

Categories
Books Features Live Action Movies

The Birds
(BFI Film Classics)

Author – Camille Paglia – 2020, 1998 – BFI / Bloomsbury – £11.99

****

I immediately warmed to Camille Paglia in her 2020 introduction to the new edition of her book about Alfred Hitchcock’s avian shocker The Birds (1963), originally written in 1998, when she lambasted academic film criticism as “egregiously unhelpful, failing in the crucial humanistic mission of interpretation and enlightenment”. She talks about a shift in audiences from wanting to see film in a cinema as essential experiences in the sixties and seventies to films as one of a range of possible technological entertainments in our own time.

She then goes on to talk about her issues with #metoo and the problem of expecting great artists to live exemplary lives as a premise of Victorian moralism. And discusses in passing the one minor change she would make to the book were she to write it today. (Really? Only one?) Which is to do with interpreting one character in the film as gay.

In addition to watching the film multiple times, it’s clear that Paglia has read many of the books and articles written about the film itself of Hitchcock’s wider body of work. Robin Wood keeps coming up and there are honourable mentions for, among others, Francois Truffaut and Elizabeth Weiss.… Read the rest

Categories
Animation Features Live Action Movies

Invention
For Destruction
(Vynález Zkázy)

Director – Karel Zeman – 1958 – Czechoslovakia – Cert. U – 82m

*****

Blu-ray/DVD available from Second Run.

Review originally written as an entry for

the Aurum Film Encyclopedia: War (series editor: Phil Hardy).

Sadly, the book was never published.

Vynález Zkázy

aka

Invention For Destruction,

The Invention Of Destruction,

The Deadly Invention,

The Fabulous World of Jules Verne (1961, US version)

KRATKY FILM PRAHA | STUDIO LOUTKOVYCH FILMU GOTTWALDOV

Feature length trickfilm adaptation of Jules Verne’s novel Une Invention Diabolique is less about war itself than its causes – specifically scientists who work without regard for how their experimental research will be used by others. Professor Roche (Navrátil) is kidnapped from a sanitarium and taken by clipper (towed by a prototype submarine invisible from the surface) to the island of Back-Cup where mysterious captor Count Artigas (Holub) invites him to continue his research – a task the childlike scientist is happy to undertake. The professor’s travelling companion, research assistant and the film’s narrator Simon Hart (Tokos) wants by contrast to escape and warn the world of Artigan’s plans to attack using a giant gun.

Zeman shoots his film with an all-encompassing diversity of live action and animated techniques, mixing actors, natural history photography and studio sets (augmented by drawings of set sections matted into his locked-off frame) on the one hand with live action and stop-frame puppetry, animated models, drawings and any other method you care to name.… Read the rest

Categories
Animation Features Live Action Movies

Journey
To The Beginning
Of Time
(Cesta Do Pravěku)

Director – Karel Zeman – 1955 – Czechoslovakia – Cert. PG – 86m

*****

Blu-ray/DVD available from Second Run.

I’ve written about the pioneering Czech director Karel Zeman in these pages before regarding his 1961 film The Fabulous Baron Munchausen (BD/DVD, cert U, 85 mins). The latest of his works to see a release in a beautifully restored version is 1955’s Journey To The Beginning Of Time (BD/DVD, cert PG, 86 mins) in which four young boys go back in time to find a trilobite and see numerous other prehistoric beasts on the way, realised by an astonishing array of animation and special effects techniques.

The film flows very naturally and has a commendable awe of the created world. The subtitled Czech version is the one to watch first. The disc also includes the surprisingly effective US dubbed version with its different opening sequence at the American Museum Of Natural History and a different closing sequence with stock footage of volcanoes and a gratuitous voice-over about the Genesis creation myth.

Trailer here:

https://www.youtube.com/watch?v=ue09ad4wE3I&feature=emb_logo

This capsule review originally appeared in Reform in 2019 as part of a wider Watch And Talk review roundup.

Categories
Animation Movies Shorts

Popeye The Sailor
Meets
Sindbad The Sailor

Director – Dave Fleischer – 1936 – US – 16m – colour – Oscar nominated

*****

Currently streaming on MUBI.

A rare, two reeler, colour outing for the Fleischer brothers’ Popeye, this removes him from his usual urban environment to an island populated with fabulous monsters – the opening features snakes, lions, a dragon and a vulture before we meet self-proclaimed “The Most Remarkable Fellow”, credited in the cast as Sindbad The Sailor although anyone familiar with other Flesicher Popeye cartoons will recognise him as regular villain Bluto. Sindbad sings a song asking the rhetorical question who this extraordinary fellow is, culminating in Popeye’s voice unexpectedly singing “Popeye The Sailor Man”, from which springs the film’s subsequent dramatic conflict. Talking about a shackled two headed giant Sindbad also references King Kong, released three years earlier and an obvious influence on the remote island with caves and incredible beasts seen here.

(MUBI’s source print print is missing a little bit of the opening credits, so you might want to hit pause on the single credits page detailing the cast before it vanishes after a few seconds. Otherwise, the print is in pretty decent condition.)

When Sindbad sends a giant bird to scuttle Popeye’s ship and kidnap the woman (Olive Oyl), the bird’s take off is animated less like a bird and more like a nineteen thirties aircraft that struggles to leave the ground.… Read the rest

Categories
Animation Art Books Features Live Action Movies

Harryhausen
The Lost Movies

There’s nothing else quite like the filmography of stop-frame animator and special effects maestro Ray Harryhausen (1920-2013). A new book, Harryhausen The Lost Movies, is an undeniable treasure trove for those familiar with his films, which include such gems as Jason and the Argonauts and One Million Years B.C. and incorporate fantastical, stop-frame animated creatures and additional bravura special effects into live-action movie narratives.

Compiled by documentary film maker and author John Walsh from over 50,000 items in the Ray and Diana Harryhausen Foundation archive, this coffee-table book sets out to provide an overview of the film maker’s oeuvre through his various unmade projects, lavishly illustrated with photographs and drawings.

I review Harryhausen The Lost Movies for All The Anime.

Categories
Animation Art Features Movies

Kubo
And The Two Strings

Director – Travis Knight – 2016 – US – Cert. PG – 101m

*****

The following review originally appeared in Funimation UK.

Jeremy Clarke on a Hollywood film inspired by the Far East.

Western cinema in general and animation in particular has long held an interest in all things Oriental. Every so often, a film made in the West pays homage to one aspect or another of Eastern culture. The animated fantasy Kubo And The Two Strings is the latest entry in this curious Western sub-genre. It’s a dark fairytale about the quest of a boy named Kubo for his late father’s long-lost suit of armour to protect himself from the evil spirits of his grandfather and two aunts.

The company behind the production are US stop-frame outfit Laika who previously made Coraline, ParaNorman and The Boxtrolls. All three like Kubo are dark visions far removed from the upbeat fare that constitutes much contemporary Hollywood animation. The thought of the creative force behind such productions making a film inspired by Oriental traditions is therefore an exciting one.

Kubo is set in an unspecified period, ancient Japan populated with samurai warriors, malevolent spirits and gargantuan monsters. Street urchin Kubo (voiced by Art Parkinson) and other performers gather at the village marketplace to display their wares and earn a crust.… Read the rest