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Break Up The Chain
(Soesaseul-euld
Kkeunh-eola,
쇠사슬을 끊어라)

Director – Lee Man Hee – 1971 – South Korea – Cert. tbc – 98m

***1/2

Three Koreans each with dubious motiveshunt for a small statue of Buddha containing the names of anti-Japanese resistance fighters – from LKFF, the London Korean Film Festival 2025 which runs in cinemas from Wednesday, November 5th to Tuesday, November 18th

Much like the statue containing the microfilm sought by the characters of North by Northwest (Alfred Hitchcock, 1959), a small statue of Buddha holds the names of anti-Japanese resistance fighters and is similarly desired by Break Up The Chain’s protagonists. Not that this Lee Man Hee late career offering is in quite the same league as Hitch’s espionage romp, even if its dialogue does from time to time refer to drama and performance in much the same way, particularly in the opening ten minutes.

Otherwise, though, it’s a very different animal: essentially, three male protagonists chasing a MacGuffin. Cheol Su (Namkoong Won from Cheongnyeo, Lee Man Hee, 1975; Insect WomanKim Ki-young, 1972), is an outlaw, Tae Ho (Huh Jang-gang from EunuchShin Sang-ok, 1968), a gangster and Dal Gun (Jang Dong-hwi from The Marines Who Never Returned, Lee Man Hee, 1963), a spy for the Japanese.… Read the rest

Categories
Features Live Action Movies

Wife Of A Spy
(Supai No Tsuma,
スパイの妻)

Director – Kiyoshi Kurosawa – 2020 – Japan – 115m

****1/2

A Japanese businessman’s wife decides to help her husband after discovering he is passing inflammatory state secrets to the Americans – out on MUBI in the UK and Ireland on Wednesday, September 8th

1940, Kobe, Japan. British silk trader John Fitzgerald Drummond is arrested by the Kenpetai then released thanks in part to his friend and business associate Yusaku Fukuhara (Issey Takahashi from Shin Godzilla, Hideaki Anno, 2014; Kill Bill Vols 1 & 2, Quentin Tarantino, 2003 & 4; Whisper Of The Heart, Yoshifumi Kondo, 1995), who defends him against Officer Taiji Tsumori (Masahiro Higashide from Foreboding, 2017; Before We Vanish, 2017; Creepy, 2016 – all Kiyoshi Kurosawa), a childhood friend of Yusaku’s wife Satoko (Yu Aoi from Killing, Shinya Tsukamoto, 2018; Journey To The Shore, Kurosawa, 2015 and much else). (Europeans are systematically being arrested, with the exception of Axis power nationals Germans and Italians.)

As Fukuhara and his nephew Fumio Takeshita (Ryota Bando) travel abroad to Manchuria, Satako invites Taiji to her house for a whisky, but once there he berates her for the drink being Western- not Japanese-made and suggests she should wear traditional Japanese clothes rather than Western dresses.… Read the rest