genre bender - Jeremy C. Processing

Director – Natalia Meta – 2020 – Argentina, Mexico – Cert. – 95m

***1/2

A woman moves between dreams and reality as she starts to fear that a foreign entity may be taking her over – on BFI Player as part of the BFI London Film Festival 2020 from 20.30 Monday, October 12th to 20.30 Thursday, October 15th

This opens with a close up of a woman’s body bound in bondage gear. She speaks in Japanese and then somewhat disorientatingly (as if this disturbing imagery hadn’t already thrown you enough) in a different voice in Spanish. Voice actress Inés (Erica Rivas) is working in a dubbing theatre. “More powerful, Inés”, says the man in the booth. After a take or two more, he’s got what he needed and they move on to the next clip.

The film’s a bit like that. The opening is representative of what is to follow: a series of bravura and often disturbing sequences that suck you in and make you wonder exactly where the film will end up. As the sequences build, one on another, I was fully expecting this to be a five star review. Alas, the film didn’t seem to know how to end and the final scene, which needed to somehow pull everything together and make sense of the larger whole, quite simply didn’t.… Read the rest

Dick Johnson
is Dead

Director – Kirsten Johnson – 2020 – US – 89m

*****

The director imagines the death of her dad in a film which celebrates both the man himself and the art of cinema – on Netflix worldwide from Friday, October 2nd

I was alerted to this movie both because not only was Johnson’s prior Cameraperson (2016) excellent but also the subject matter of this new film looked promising. Johnson spent three decades as the cameraperson on numerous documentaries (among them Farenheit 9/11, Michael Moore, 2004 and Citizenfour, Laura Poitras, 2014) before making her previous feature out of interesting bits and pieces of footage she had lying around. Her new film is highly personal and almost fits into the home movies or personal diary school of film making – lent an inevitable, additional gravitas given Johnson’s prior artistic and technical career.

C. Richard Johnson (b. 1932 – ) is Kirsten Johnson’s dad. One day, like all of us, he is going to die. So his daughter decided that while he was still alive she would make a film about his dying, filming his possible deaths and staging his funeral service ahead of time.

There’s a huge contradiction at the heart of this idea.… Read the rest