Tag: François Ozon

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When Autumn Falls
(Quand Vient l’Automne;
US: When Fall is Coming)

Director – François Ozon – 2024 – France – Cert. 15 – 102m

*****

A grandmother’s cooking accidentally poisons her daughter, who survives… in the ensuing emotional turmoil, past truths are revealed, which have devastating effects… – out in UK cinemas on Friday, March 21st

Michelle (Hélène Vincent) lives alone in rural Burgundy. She goes to church. She goes out picking mushrooms with her old friend Marie-Claude (Josiane Bolasko), who attempts to stop her picking the poisonous ones. At home, Michelle double-checks the mushrooms against photos and blurb in her mushroom reference book. She cooks the mushrooms. She gets a phone call telling her her guests are on the way. She is surprised that the driver is using Laurant’s car.

Her daughter Valérie (Ludivine Sagnier) arrives in the car with grandson Lucas (Galan Erlos) in tow. He is looking forward to spending the Summer with his gran. Valérie, however, is constantly angry, blaming her mum for everything, occasionally making remarks about “what you did”. She is clearly upset by something in their past history, although it’s unclear as to exactly what. Although grandmother has given daughter her former Paris apartment, Valérie also seems keen that Michelle sign over the current house to her under a scheme that would exempt Valérie from paying tax on it.… Read the rest

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When Autumn Falls
(Quand Vient l’Automne;
US: When Fall is Coming)

Forgiveness for the past

When Autumn Falls

Directed by François Ozon

Certificate 15, 102 minutes

Released 21 March

Reviewed in Reform magazine, March 2025.

Judge not lest ye be judged, we are told. At the start of this latest drama from François Ozon, an ever-reliable director who rarely repeats himself, a devoted, eightysomething grandmother Michelle (Hélène Vincent) accidentally gives her fortysomething daughter Valérie (Ludivine Sagnier) food poisoning when she picks and cooks mushrooms.

Once out of hospital, the daughter, unable to forgive her mum, takes the disappointed grandson Lucas (Galan Erlos) – who was to have spent the Summer holidays in the country with his beloved granny – back home to Paris.

The daughter’s reaction isn’t really about the food, though…

[Read the rest at Reform.]

[Read my longer review on this site.]

Trailer:

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Features Live Action Movies

The Crime is Mine
(Mon Crime)

Director – François Ozon – 2023 – France – Cert. 12a – 102m

*****

Two young women, an actress and a lawyer, take advantage of casting couch sex abuse of the former to boost both of their fledgeling careers – sharp period comedy with more to it underneath the surface is out in UK and Ireland cinemas on Friday, October 25th

A swimming pool. A lavish, art deco mansion. Out of a door staggers a clearly distressed, young blonde woman. Leaving the estate, she walks down the street, bumping into people. The setting and her clothes indicate the 1930s.

Meanwhile, a middle-aged M. Pistole (Franck de Lapersonne) calls on young brunette tenant Pauline (Rebecca Marder) to demand 3 000 Fr for five months’ back rent. A qualified lawyer, she manages to negotiate 48 hours’ respite on the grounds that a hotshot producer wants to put her flatmate Madeleine in his new play, and money will follow once the contract is signed. However, once Madeleine (Nadia Tereszkiewicz from Only The Animals, Dominik Moll, 2019) comes in to spill her tale of woe – in a manner closer to screwball comedy than rape or crime drama – it rapidly becomes obvious that the situation has changed.… Read the rest

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Peter Von Kant
(Peter Von Kant)

Director – François Ozon – 2022 – France – Cert. 15 – 85m

***1/2

A re-imagining of R.W. Fassbinder’s all-female-cast The Bitter Tears Of Petra Von Kant, with the three central gay characters switched from female to male – plays in cinemas from Friday, 30th December

Köln, 1972. Peter von Kant (Denis Ménochet) is a successful film director who resides in his apartment with his personal assistant Karl (Stefan Crepon). He is visited by his old friend, the singer Sidonie (Isabelle Adjani), whose blown up picture adorns one of his walls. She introduces him to young man of Arab extraction and actor wannabe Amir Ben Salem (Khalil Gharbia) with who Peter becomes besotted and who subsequently moves in with him.

Their passionate relationship is, however, doomed, with Amir suddenly leaving some months later on the pretext of visiting his wife when she unexpectedly phones him from a nearby city. After Aamir has left him, Peter becomes an emotional wreck. On his birthday, he waits on the phone, hanging up in seconds when he realises the caller isn’t Amir. He vents his emotional distress on his three birthday visitors: his mother Rosemarie (Hanna Schygulla), his boarding school student daughter Gabrielle (Aminthe Audiard) and Sidonie.… Read the rest

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Everything Went Fine
(Tout C’est Bien Passé)

Director – François Ozon – 2021 – France – Cert. 15 – 113m

*****

An elderly man recovering from a stroke enlists his two daughters to help him achieve assisted suicide and die with dignity – out in cinemas on Friday, June 17th

Emmanuèle Bernheim (Sophie Marceau) gets a phone call to say that her dad André Bernheim (André Dussollier), 85, is in hospital recovering from a stroke. She rushes to the hospital to meet her sister Pascale Bernheim (Géraldine Pailhas) in ER where he’s having an MRI scan. When they see him on the ward, mouth elongated on on side of his face, he can’t remember what happened. He has lost many everyday functions of his body.

While a fellow stroke survivor on his hospital ward makes rapid enough progress to soon be discharged, the less fortunate and initially bedridden André is moved to another hospital for more specialist treatment. Nevertheless, he eventually improves and in due course graduates to being sat in a chair in his room. Later still, he learns to use a wheelchair. His dietary abilities improve from initial intravenous drip feed through being spoon-fed mashed veg through to eating accompanied in a restaurant.

On one occasion early on when Emmanuèle visits him in hospital, she’s horrified to discover him lying in bed in his own excrement and immediately summons the manageress, who not only makes excuses about the amount of work required to look after a patient like this and how the hospital is short-staffed but also gives a personal assurance that this won’t happen again (and, indeed, no such further incident recurs).… Read the rest

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Everything Went Fine
(Tout C’est Bien Passé)

Helping a loved one to die

Everything Went Fine
Directed by François Ozon
Certificate 15, 113 minutes
Released 17 June

France. Two daughters, Emmanuèle and Pascale Bernheim (Sophie Marceau and Géraldine Pailhas), visit their 85-year-old father André Bernheim (André Dussollier) as he recovers from a stroke. The process is slow and difficult, and he may never make a full recovery. André has lived life to the full, often looking to himself rather than those around him, and has come to a decision. Separately he tells each of them, “I want to die.”

In his current state of health, he considers life no longer worth living and wants to be able to end it while he still has the mental and physical capacity to do so. Ironically, this… [Read the rest in Reform magazine]

Read my alternative, longer review.

Everything Went Fine is out in cinemas in the UK on Friday, June 17th.

Trailer:

Categories
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The New Girlfriend
(Une Nouvelle Amie)

Director – François Ozon – 2014 – France – Cert. 15 – 108m

*****

On BFI Player subscription from Monday, May 17th 2021

UK release date 22/05/2015

Spring

Spring

Directors – Justin Benson, Aaron Moorhead – 2014 – US – Cert. 15 – 109m

*****

UK release date 22/05/2015

Both these films can easily be ruined by spoilers, so be wary of reading reviews or cinema blurb or even watching trailers before you see them. That said, the following is spoiler free. Now read on.

Spring

The married, female protagonist of French maverick Ozon’s The New Girlfriend – based on a book by Ruth Rendell who passed away last month – suffers serious emotional trauma then becomes involved with a man who is not all that he seems. The single, male protagonist of US indie Spring suffers serious emotional trauma then becomes involved with a woman who is not all that she seems. In both films, the question is: can their relationship survive?

The New Girlfriend

The New Girlfriend‘s Claire (Anaïs Demoustier) is distraught when friend since childhood Laura (Isild Le Besco) dies leaving behind a husband David (Romain Duris) and child. Having promised to look after David should Laura die, she sets about doing so…and makes an unexpected discovery.… Read the rest

Categories
Features Live Action Movies

Spring

Directors – Justin Benson, Aaron Moorhead – 2014 – US – Cert. 15 – 109m

*****

UK release date 22/05/2015

The New Girlfriend

The New Girlfriend (Une Nouvelle Amie)

Director – François Ozon – 2014 – France – Cert. 15 – 108m

*****

UK release date 22/05/2015

Both these films can easily be ruined by spoilers, so be wary of reading reviews or cinema blurb or even watching trailers before you see them. That said, the following is spoiler free. Now read on.

Spring

The single, male protagonist of US indie Spring suffers serious emotional trauma then becomes involved with a woman who is not all that she seems. The married, female protagonist of French maverick Ozon’s The New Girlfriend – based on a book by Ruth Rendell who passed away last month – suffers serious emotional trauma then becomes involved with a man who is not all that he seems. In both films, the question is: can their relationship survive?

Spring

Spring‘s Evan (Lou Taylor Pucci) witnesses the death of his bedridden mother. Distraught, he heads to the local bar, gets into drunken fight which ends up with his leaving the US to evade the police. He heads to Italy where he meets a bunch of Brit backpackers and indulges in more binge drinking, but everything changes when he meets and falls for the mysterious Louise (Nadia Hilker)… (This reviewer confesses that by this point – about ten minutes into the film – he wasn’t feeling much sympathy for the character – or, indeed, liking the film very much at all – but Evan’s subsequent relationship with Louise had him hooked.)… Read the rest