Dutch Archives - Jeremy C. Processing

Director – Margy Kinmonth – 2025 – UK – Cert. 12a – 89m

*****

A look at the output of various women artists who have documented and dissected war, and what they can tell us – out in UK cinemas on Friday, March 28th

Although being promoted, reasonably enough, with an image from World War Two of women working with barrage balloons, right from the start in narration over its opening titles this breaks the mould for anyone expecting it to cover any one specific historical or geographical war. “I’m going to talk to women all round the world”, says director Kinmonth in regard to the concept of war as a catalyst for creativity. “What do women see that men don’t?” Quite apart from her gender, she is well-placed to tackle such a subject having recently made two documentaries on the subject of war artists: Eric Ravilious: Drawn to War (2022), War Art with Eddie Redmayne (2015), and many more before that on the subject of art in assorted social contexts.

The film is a compendium of interviews with living female artists or, in the cases of artists who’ve passed on, their descendants or proponents. Some of the names are familiar, such as Lee Miller, Maggi Hambling or Dame Rachel Whiteread, others much less so.… Read the rest

Klokkenluider

Director – Neil Maskell – 2022 – UK – Cert. 15 – 84m

*****

A couple have seen something; two men are assigned to look after them as they wait in the middle of nowhere for a journalist to come and interview them – a subscription exclusive on BFI Player from Thursday, February 22nd

Mr. Appleby (Amit Shah) and Mrs. Appleby (Sura Dohnke) arrive at the house on the outskirts of a small village in Belgium they’ve booked for a party. Appleby is not their real surname, and nor will there be a party. He is what the Dutch call a ‘klokkenluider’ or bell ringer, slang in that language for whistleblower. He has approached a newspaper and is following instructions. They are at the house awaiting the arrival of a journalist to interview them.

Meanwhile, Brits Kevin (Tom Burke) and Ben (Roger Evans) are driving to meet them. They have guns in the boot. We don’t really see them at first. For the first few minutes, they are shown only in little details cropped or in shade so as to be almost unrecognisable – a fragment of a detail in a wing mirror here, a view beyond a car window part obscured by a reflection there – and they choose their words carefully so as not to give away anything more than they need to.… Read the rest