Categories
Art Documentary Features Live Action Movies

War Paint
Women at War

Director – Margy Kinmonth – 2025 – UK – Cert. 12a – 89m

*****

A look at the output of various women artists who have documented and dissected war, and what they can tell us – out in UK cinemas on Friday, March 28th

Although being promoted, reasonably enough, with an image from World War Two of women working with barrage balloons, right from the start in narration over its opening titles this breaks the mould for anyone expecting it to cover any one specific historical or geographical war. “I’m going to talk to women all round the world”, says director Kinmonth in regard to the concept of war as a catalyst for creativity. “What do women see that men don’t?” Quite apart from her gender, she is well-placed to tackle such a subject having recently made two documentaries on the subject of war artists: Eric Ravilious: Drawn to War (2022), War Art with Eddie Redmayne (2015), and many more before that on the subject of art in assorted social contexts.

The film is a compendium of interviews with living female artists or, in the cases of artists who’ve passed on, their descendants or proponents. Some of the names are familiar, such as Lee Miller, Maggi Hambling or Dame Rachel Whiteread, others much less so.… Read the rest

Categories
Animation Features Movies

The Glassworker
(Sheesha Gar,
شیشہ گ)

Director – Usman Riaz – 2024 – Pakistan, Spain – 98m

*****

The son of a pacifist glassblower learning his father’s trade falls for the violin-playing daughter of an army colonel in wartime – complex anti-war drama from the 2024 Annecy International Animation Festival in the Contrechamps section, released in Pakistan on Friday, 26th July 2024

If you knew nothing about this animated film beforehand, you’d assume it to be Japanese. Love it or hate it, most animation made in Japan falls within very distinctive, stylistic, visual parameters. According to the press blurb, director Riaz is an admirer of Studio Ghibli directors Miyazaki and Takahata as well as more recent directors Mamoru Hosoda and Satoshi Kon. Visually, the film feels more like a Miyazaki than anything else, and of comparable quality too. Yet it’s also highly original, and Riaz, here directing his first feature after a number of shorts, clearly has his own voice.

It opens with a frame story about youthful glassblower Vincent Oliver (voice: Sacha Dhawan) who, with the help of his father, is preparing for the opening of his debut glassware exhibition. He rereads a letter from a girl which his father (voice: Art Malik) had told him years ago to destroy in their workshop’s furnace.… Read the rest