Categories
Features Live Action Movies

Hidden
(Caché)

Director – Michael Haneke – 2005 – Austria, France, Germany – Cert.15 – 117m

***1/2

Covertly delivered VHS videotapes suggest to an upper middle class family that they are being watched, and begin to tease out guilt for an incident in the husband’s past – the closing film of Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 20th and on BFI Player from Thursday, September 11th 2025

A lengthy, locked-off camera shot of a street. A woman (Juliette Binoche) leaves the house through a full body height metal gate that seems to serve a security function, although the street seems largely quiet and unremarkable. Then the image starts to rewind in the manner of a videotape; what we are watching is a recording in the videotape player of a couple Georges and Anne Laurent (Daniel Auteuil and Juliette Binoche), who are discussing its contents. The tape has been left outside their front door for reasons that are not immediately obvious and by person or persons unknown.

This opening shot is mirrored by another static shot at the end taken from outside the school of their son Pierrot (Lester Makedonsky) as pupils leave, in which… well, you’ll have to see for yourself, and director Haneke doesn’t make it easy to see what it is he wants you to see, so you’ll have to work at it… and even then, you may miss it.… Read the rest

Categories
Documentary Features Live Action Movies

Fantastic Machine
(original title:
And the King Said,
What a Fantastic Machine)

Directors – Axel Danielson, Maximilien Van Aertryck – 2023 – Norway, Sweden, Denmark – Cert. 15 – 88m

****

An idiosyncratic history of moving image technology and its increasingly pervasive role in human society, from camera obscura to smartphones and social media – out in UK cinemas on Friday, April 19th

To understand what this movie is about, which I’m not sure I did going in, you have to understand its title. The fantastic machine in question is, in part, the camera. That might lead you to anticipate a history of photography, but that’s not quite what this is about. You’d be forgiven for believing that, though, for the first few minutes when we see a contemporary, on the street, walk-in exhibit of the camera obscura or pinhole camera, a natural optical phenomenon whereby light passes through a simple pinhole onto a surface or screen beyond to recreate an inverted image of where the light came from. As a visitor marvels of the resultant, real time moving image of people outside the exhibit walking around, “it’s upside down”. As a human guide to the exhibition explains, that’s how the human eye works. Our brains correct the upside down image so that appears the right way up.… Read the rest