staging Archives - Jeremy C. Processing

Director – Jason Reitman – 2024 – US – Cert. 15 – 109m

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A journey through the behind the scenes chaos of the 90 minutes prior to the broadcast of NBC’s first ever Saturday Night Live show – out in UK cinemas on Friday, January 31st

In the mid-1970s, US TV network NBC made a monumental change to its scheduled programming. For the best part of a decade, it had broadcast reruns of The Tonight Show with Johnny Carson on Saturdays and Sundays, and wanted something new which would capture the 19-34-year-old audience demographic, developing a replacement show with young, independent producer Lorne Michaels, the first episode of which was broadcast live on October 11, 1975. The show, which is still running on NBC today, became something of an institution in the US, kickstarting the careers of numerous comedy stars and writers who would go on to achieve considerable success in US film and TV.

Saturday Night is an attempt to put on the screen the chaos of that first night’s preparation, in which no-one quite knows if the show’s broadcast is going to go ahead, or whether the network will flip a switch and play the Carson rerun tape it has lined up in case Michaels (Gabriel LaBelle) can’t get his show together.… Read the rest

Shoulders

Director – Jamie Flatters – 2024 – UK – Cert. 15 – 101m

* or *****, depending how I’m feeling at the time

A group of soldiers armed with sticks instead of guns fight a war against an unseen enemy on open ground near some woodlands – opens the Clapham International Film Festival which runs from Wednesday, November 27th to Saturday, November 30th.

With a title that sounds like a mis-pronounciation of ‘Soldiers’, Shoulders is a pretty strange experience. Photographed, ***** SPOILER ALERT ***** apart from a couple of shots in colour ***** SPOILER ALERT ENDS *****, in at once stark and ravishing black and white, it features a visually partially diverse cast some of whom are instantly recognisable and some of whom it’s easy to confuse with one another. There is (I believe) a script, although any narrative coherence is largely lost under what feels like multiple layers of improvisation. And yet… Somehow, the whole thing coheres, at least up to a point, by virtue of its own peculiar internal logic and succeeds almost entirely on its energy and that of its various collaborators, director, cast, and crew. I’m not even sure that that logic can be adequately expressed in words.… Read the rest