protest marches Archives - Jeremy C. Processing

The Tale of Silyan
(Приказната за Силјан)

Director – Tamara Kotseva – 2025 – North Macedonia – Cert. 12a – 81m

*****

A farmer, whose livelihood has collapsed thanks to economics and government policy, cares for a stork with a broken wing – in cinemas from Friday, December 12th

This begins with a simple voiceover story. Silyan, ostracised from the other storks because he was different, is noticed by a similarly lonely father who takes pity on the stork and invites it to live with him.

Then it swiftly switches to two parallel narratives within the same geographical area.

In one, a man’s extended family builds a new storey onto their house for the son and daughter in law. The act of building is very much a family affair, with even the man’s small granddaughter mucking in.

In the other, a flock of storks build their nests on the roof of an old farmhouse building nearby.

The man is a farmer (Nikola Conev); his extended family help him pick this year’s harvest of vegetables, then accompany him to a string of local farmer’s markets to sell his produce. At this point, the man hits a problem; the going rate has dropped. And he can’t get a decent price for his produce.… Read the rest

No.7 Cherry Lane
(Jiyuantai Qihao,
繼園臺七號)

Director – Yonfan – 2019 – Hong Kong – Cert. 12A – 125m

*****

The tutor of an 18-year-old girl falls for her mother who hired him against the background of the 1967 protest marches in Hong Kong – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now as a Screening Event

Insofar as this is like anything else – which it really isn’t – it’s like a reworking of The Graduate (Mike Nichols, 1967) filtered through In The Mood For Love (Wong Kar-wai, 2000). Oh, and it’s 3D rendered then 2D animated. Broadly speaking, The Graduate is about a young man seduced by a much older, bored housewife before later becoming romantically involved with her daughter. In The Mood For Love is set in early 1960s Hong Kong and includes a sequence on a sloping pedestrian street where a man passes a women walking in the opposite direction, the whole thing charged with a sense of romantic longing. There;’s a similar scene in No.7 Cherry Lane, although it’s considerably less central to the plot than the one in In The Mood For Love.

Yonfan, here making his first film in ten years, would certainly agree that filmic and literary references abound in the film.… Read the rest