Categories
Animation Features Movies

Wallace & Gromit
Vengeance Most Fowl

Directors – Nick Park, Merlin Crossingham – 2024 – UK – Cert. U – 79m

*****

Feathers McGraw returns to wreak havoc with Wallace’s latest invention, robotic garden smart gnomes – out in UK cinemas on Wednesday, December 18th 2024, on the BBC on Christmas Day, and on Netflix from Friday, January 3rd 2025

Opening with the capture, some years ago, of notorious master criminal Feathers McGraw (voice: none) for the attempted theft of the blue diamond, foiled by simple Lancastrian inventor Wallace (voice: Ben Whitehead, doing an amazing job replacing the late Peter Sallis) and his smart pet dog Gromit (voice: none), this second feature sees Wallace inventing furiously, making next to no money and the household bills pile up.

However, all that is about to change with Wallace’s latest gadget, Norbot the Smart Gnome (voice: Reece Shearsmith) who, voice-instructed by his inventor to make Gromit’s carefully tended garden “neat and tidy”, chops down most of the put-upon pooch’s cherished, colourful flowerbeds to replace them with something resembling a Brutalist version of the Gardens of the Palace of Versailles.

This impresses the neighbours and passing tradesman, causing Wallace – a lightbulb sign from a stationery van (hilariously parked behind him) above his head – to realise that he has a potential business startup here.… Read the rest

Categories
Animation Art Exhibitions Movies

LAIKA
FRAME x FRAME

*****

Exhibition shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by the Stop Motion animation season including all five LAIKA feature films and much, much more

In the best part of two decades, US-based Laika Studios – named after the first dog in space – has carved itself a niche as arguably the foremost producer of stop-motion animation puppet films. That’s distinctly different from the other leading company in the stop-motion field, UK-based Aardman Animations, who specialise in plasticine animation. The difference is that plasticine is a malleable substance that can be reworked and remodelled one frame at a time, whereas although puppets can be moved a frame at a time, they can’t be remodelled.

Laika have consistently (and deservedly, in this writer’s opinion) picked up Oscar nominations for each of their five features, a remarkable achievement that speaks of the high quality of their work. Their five features (with a sixth forthcoming) are:

  • Coraline (2009): A young girl is lured into a darker, parallel world.
  • Paranorman (2012): A boy who can speak with the dead, ostracised by his local community, must save his town from dark forces by righting centuries-old wrongs.
Read the rest
Categories
Animation Features Movies

Teenage Mutant
Ninja Turtles
Mutant Mayhem

Directors – Jeff Rowe, Kyler Spears – 2022 – US – Cert. PG – 99m

*****

The much loved comic-generated franchise gets a remakable reboot in animation that breaks the filmmaking mould to really get under the skin of the teenage experience – out in UK cinemas on Monday, July 31st

Hollywood animated children’s films since the advent of computer animation. They all look the same. Okay, that’s not entirely fair, but with notable exceptions like the Laika films and the recent Spider-Verse films there’s a definite homogeneity to this output overall, industry wisdom dictating the production parameters and the overall look and feel. There’s a mould there, the films make money and producers are terrified to break that mould. Not so here.

The irony is that the Teenage Mutant Ninja Turtles property, born out of a late night joke between two comic book artists who never expected to sell more than a one-off issue, has spawned numerous spin-offs in comics, animated TV series, video games and movies. Somehow, the previous six movies – three in the 1990s (including Teenage Mutant Ninja Turtles, Steve Barron, 1990; Teenage Mutant Ninja Turtles II: The Secret Of The Ooze, Michael Pressman, 1991), one in 2007, and two more in the last decade following a reboot in 2014 – never quite delivered on the promise of the franchise, as if everyone concerned was too focused on the moneymaking potential and trying to play everything safe, an approach completely at odds with that of the two artists who originated the property and simply thought of it as a fun idea worth developing.… Read the rest