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Picnic at Hanging Rock
(Director’s Cut,
4K Restoration)

Director – Peter Weir – 1975 – Australia – Cert. 12a – 107m

*****

A group of teenage schoolgirls supervised by two teachers go on a picnic beside an isolated volcanic outcrop: three of them never returnValentine’s Day previews on Friday & Saturday, February 14th & 15th, then is out in UK cinemas from Friday, February 21st

Two locations sear themselves into your brain when watching Picnic at Hanging Rock, whether for the first time or the umpteenth. One is the obvious one – the eponymous, towering rock formation in Victoria, Australia, at once an inescapable presence in a landscape and an invitation to come into its labyrinth and explore. The other is Appleyard College, a turn of the (nineteenth into twentieth) century boarding school for young ladies, shot in the real life 1870s-built, Georgian mansion Martindale Hall. They are two very different worlds, one natural, wild, and inexplicable, the other buttoned down and socially stratified.

The picnic, which takes place on St. Valentine’s Day, 1900, only seems to take the first third of the film’s running length. Two teachers, Miss Greta McCraw (Vivean Gray from The Last Wave, Peter Weir, 1977) and the French mistress Mlle de Poitiers (Helen Morse) are in charge of around a dozen teenage girls, all dressed very prim and properly.… Read the rest

Categories
Features Live Action Movies

Witness

UK PAL laserdisc review.

Originally published on London Calling Internet.

Distributor Pioneer LDCE

£19.99

BBFC Certificate 15

Director Peter Weir (1985)

Starring Harrison Ford, Kelly McGillis, Lukas Haas, Danny Glover

Running Time 108 min

Dolby Surround

Widescreen: 1.85:1

Chaptered? Yes

CLV

2 Sides

First American movie by Australian director Weir was also Ford’s first attempt at serious acting (for all those who think the star didn’t have his work cut out on the Indiana Jones or Star Wars films which previously made his name). The piece shifts constantly between a generally unremarkable gun-laden, American cop thriller on the one hand and an utterly unique portrait of Amish life on the other – so unique, in fact, that most people who have heard of the Amish have done so through this film.

The simple respect afforded the Amish – an extreme post-Anabaptist, post-Mennonite Christian tradition that abhors post-industrial material in favour of a pre-industrial community lifestyle – is quite extraordinary given Hollywood’s usual smack-in-the-face / pat-on-the-head attitude towards Christianity. Here, Weir just notes and observes, making no judgements one way or the other, leaving us rather to make up our own minds.

What Weir does do, though – and to remarkable effect – is juxtapose this clean and idealistic world with a foul-mouthed, urban universe of corrupt cops.… Read the rest