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Art Documentary Features Live Action Movies

War Paint
Women at War

Director – Margy Kinmonth – 2025 – UK – Cert. 12a – 89m

*****

A look at the output of various women artists who have documented and dissected war, and what they can tell us – out in UK cinemas on Friday, March 28th

Although being promoted, reasonably enough, with an image from World War Two of women working with barrage balloons, right from the start in narration over its opening titles this breaks the mould for anyone expecting it to cover any one specific historical or geographical war. “I’m going to talk to women all round the world”, says director Kinmonth in regard to the concept of war as a catalyst for creativity. “What do women see that men don’t?” Quite apart from her gender, she is well-placed to tackle such a subject having recently made two documentaries on the subject of war artists: Eric Ravilious: Drawn to War (2022), War Art with Eddie Redmayne (2015), and many more before that on the subject of art in assorted social contexts.

The film is a compendium of interviews with living female artists or, in the cases of artists who’ve passed on, their descendants or proponents. Some of the names are familiar, such as Lee Miller, Maggi Hambling or Dame Rachel Whiteread, others much less so.… Read the rest

Categories
Documentary Features Live Action Movies

Fadia’s Tree

Directors – Sarah Beddington, Susan Simnett – 2021 – UK – Cert. U – 84m

***1/2

A friendship between British artist Sarah and Palestinian refugee Fadia sparks the former into a search for a tree in the latter’s village to which she is currently unable to return – out in UK cinemas on Friday, August 5th

Sometimes less is more. This takes what is essentially a very simple idea and runs with it to its logical conclusion. Fadia Loubani is a Palestinian born and living in Beirut’s Barajneh refugee camp. Her refugee status prevents her from visiting the part of what was then Palestine and now Northern Israel from which her family originally came. Even though the village of Sa’Sa’ is only about 15 miles away, it can only be accessed by a far longer round trip, the final part of which involves crossing a border which her status won’t permit. In this village is her father’s house and a mulberry tree that sits opposite it. If Fadia could achieve one thing in her life, it would be to visit Sa’Sa’ and find both the tree and the house.

She originally struck up a friendship with Sarah Beddington in a Beirut restaurant, subsequently introducing the artist to the community in her refugee camp.… Read the rest