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Features Live Action Movies Music

Sinners

Director – Ryan Coogler – 2025 – US – Cert. 15 – 138m

*****

In 1932, a young blues guitarist finds himself out of his depth when two brothers open a juke joint which comes unexpectedly under siege from supernatural forces – out in UK cinemas on Friday, April 18th

It’s a strange thing, but Warner Bros., which has a reputation for tough guy movies from its hard-edged gangster movies of the 1930s, has never made a movie about the blues. If that seems something of a stretch as an assumption, humour me here. The blues came out of the hardships of the Afro-American experience – white racism and the slave trade, poverty and hardship, and there was something raw about it, much as with those early gangster movies that shaped the Studio’s identity.

The idea of Warner Bros. making a movie about the black experience and the blues (or, indeed, building an entire genre around that idea) seems so obvious that it’s a wonder the Studio never did it before. Perhaps it’s significant that Warner Bros. were the Studio that made Elvis (Baz Luhrmann, 2023), which touches on such material.

Warner Bros. also has the first talking picture, The Jazz Singer (Alan Crosland, 1927), hardwired into its DNA.… Read the rest

Categories
Animation Features Live Action Movies

Spider-Man
Across
The Spider-Verse

Directors – Joachim Dos Santos, Kemp Powers, Justin K. Thompson – 2023 – US – Cert. PG – 140m

*****

Assorted Spider-Men and -Women interact across many multiverse worlds as an elite Spider force attempts to prevent their interactions causing disaster – out in UK cinemas on Friday, June 2nd

The first part of a two-part sequel to Spider-Man Into The Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman, 2018) with the conclusion Spider-Man Beyond The Spider-Verse due for release next year. So be warned: Across ends mid-story with a To Be Continued… legend plastered across the screen.

Having played around with the multiverse concept in Into, Across ramps it up to overload, introducing new worlds with titles that appear on screen before you’ve worked out where you are, making you want to hit pause and stop and take it in. You can’t do that in a public cinema, where the image and sound is sharper than it is in the home but you have no personalised remote control, and that’s a defining characteristic of the theatrical cinema medium.

You can of course go back and see a movie again and again for successive viewings, and I imagine that will be happening a lot with Across during its theatrical run because its visuals are consistently amazing, but once it’s available on a home platform where you can freeze it, go back, look at bits of scenes again, this movie will take on a whole new life as the viewers interact with it at their own pace.… Read the rest