Categories
Features Live Action Movies

Disney’s Snow White
(2025)

(Live action remake of animated feature, so filed under animation, among other categories.)

Director – Marc Webb – 2025 – US – Cert. PG – 119m

***1/2

Disney’s new Snow White redoes the first animated feature, with its eponymous heroine, wicked queen and dwarfs, as live action – out in UK cinemas on Friday, March 21st

There are a very small number of watershed films after which cinema is never been quite the same again. One of them is Snow White and the Seven Dwarfs (David Hand, 1937), the first ever animated feature film, widely considered a folly until it became a huge success and helped fuel the rise of the Hollywood Studio that still bears its founder Walt Disney’s name today. Before that film, no-one made animated features. After that film, Disney regularly made animated features of a consistently high standard, and his name became synonymous with animation for the three decades until his death in 1966.

Yet, the film isn’t good simply because it was the first animated feature – it’s good for a whole host of other reasons, namely excellence in storytelling, character, visuals, and songs, elements which would similarly underscore his Studio’s output during the remainder of Disney’s lifetime.… Read the rest

Categories
Features Live Action Movies

The Reckoning

Director – Neil Marshall – 2020 – UK – Cert. 15 – 111m

***

A woman accused of witchcraft finds herself pitted in a battle of wills against her witchfinder torturer at the time of the Great Plague – on digital from Friday, April 16th and Shudder UK from Thursday, 13th May

On the one hand, this explores the historical time period of the Great Plague and links that directly with women being burned at the stake for witchcraft by way of a widespread, social scapegoating process. On the other, it depicts a horribly misogynistic society where, for the most part women are regarded as inferior and treated really badly. Two sides of the same coin.

The film itself is mixed. Parts feel hackneyed, parts will have you on the edge of your seat. The cliché-ridden opening, for instance, cross-cuts chocolate box-y photography of a cottage-dwelling couple’s idyllic, married existence in the constantly sunlit countryside with the wife digging a grave in torrential rain after finding her husband has hanged himself from a tree at night.

It transpires that farmer Joseph Haverstock (Joe Anderson) stopped off for a pint at the local tavern and accidentally drank the beer of a plague victim, contracting the disease.… Read the rest