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Funny Games
(1997)

Director – Michael Haneke – 1997 – Austria – Cert.18 – 103m

*****

Two young men turn up at a family’s holiday home to humiliate and torture them via a series of controlling exchanges (or games) – plays in Complicit: A Michael Haneke Retrospective, in UK cinemas from Saturday, June 21st and on BFI Player from Thursday, September 11th 2025

Review originally published in Shivers around the time of the film’s 1997 London Film Festival premiere

With Hollywood currently rediscovering the profitability of slick, fun horror movies in the blockbusting wake of Scream (Wes Craven, 1996), Europe proves itself well capable of delivering work at the other end of the spectrum. Funny Games is the latest brainchild of Austrian-born Michael Haneke (Benny’s Video, 1992).

Like Scream, Funny Games never misses a trick on the technical level. Unlike Scream, its intention is not a non-stop, mass-consumption, vicarious thrill-laden roller coaster ride (which Funny Games certainly isn’t) but a rigorous and unrelenting, one way descent into madness, fear and despair depicting violence, mutilation, torture and – above all – amoral manipulation of one’s fellow human beings – as truly horrific.

To dismiss Funny Games as either moral lecture or morality play would do it great disservice.… Read the rest

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Blank

Director – Natalie Kennedy – 2023 – UK – Cert. 15 – 94m

****

Struggling with writer’s block, a successful author checks in to an AI-controlled retreat facility only for a virus to wreak havoc on the software which runs it, turning her into a prisoner – out on UK digital download from Monday, January 8th

Successful writer of pulp horror fiction Claire Rivers (Rachel Shelley) has writer’s block. And a deadline. And is being hassled on the phone by her agent, Alice (voice: Tamsin Jeffrey). She has a month, and Alice can’t keep fobbing off her publisher. Claire needs to get round whatever the problem is. So Claire accepts that invitation to a writer’s retreat she’s been avoiding.

Now, this is now ordinary retreat – it’s run by AI. Once there, her hand is scanned to open the door. She’s met by a charming man (Wayne Brady) – or rather, a holographic projection of a charming man, who informs her that her personal concierge is being set up as he speaks. So Claire meets Rita (Heida Reid), an android who unpacks her things for her. And who almost – but not quite – interacts with her. There’s some something quite odd about Rita.… Read the rest

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Rodeo
(Rodéo)

Director – Lola Quivoron – 2022 – France – Cert. 15 – 105m

***

Le Fast et la Furieuse. A young woman bike thief makes her mark on a group of bikers living in a bike repair shop run from a prison by its incarcerated owner – out in UK cinemas and exclusively on Curzon Hone Cinema on Friday, April 28th following its appearance in the BFI London Film Festival 2022

Julia (Julie Ledru) loves motorbikes. She loves riding them. And she loves stealing them. At various points in the narrative, she follows up ‘bike for sale’ ads, goes to see the seller, impresses them with her considerable knowledge, persuades them to let her test drive the bike by riding it alone for a certain distance then rides off with it. She’s also poor and living on a rundown housing estate, an environment beloved of a certain strata of French cinema (e.g. Two Of Three Things I Know About Her, Jean-Luc Godard, 1967, La Haine, Mathieu Kassovitz, 1995; District 13, Pierre Morel, 2004). Not that you see much of this environment after the opening reel. She represents a very French form of anti-hero, and if you don’t have any problem with her sense of entitlement and the fact that she sees nothing wrong with stealing, this is a rollicking good yarn.… Read the rest