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The Shrouds

Director – David Cronenberg – 2024 – Canada, France – Cert. 15 – 120m

*****

An entrepreneur who has created graveyard corpse-viewing technology to cope with his late wife’s death by cancer finds his inner world disrupted when his creation is vandalised and hackedThe Shrouds is out on UK digital from Monday, August 11th

She (Diane Kruger from The 355, Simon Kinberg, 2022; Disorder, Alice Winocour, 2015; Inglorious Basterds, Quentin Tarantino, 2009; Joyeux Noel, Christian Carion, 2005; Troy, Wolfgang Petersen, 2004) lies dead on a slab suspended on air in an underground cave. He (Vincent Cassel from A Dangerous Method, 2011; Eastern Promises, 2007, both David Cronenberg; Default, Choi Kook-Hee, 2018; Trance, Danny Boyle, 2013; Black Swan, Darren Aronofsky, 2010; Mesrine, Jean-François Richet, 2008; La Haine, Matthieu Kassovitz, 1995) screams. He is Karsh, an entrepreneur who has set up the first in a projected series of high-tech cemeteries. Thanks to his proprietary technology GraveTech, clients can install the body of their loved one in a shroud, a wraparound artefact resembling clothing fitted with cameras which record images of the deceased’s decaying body in real time, accessible for viewing by the client whenever they wish.… Read the rest

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Features Live Action Movies

Tornado

Director – John Maclean – 2025 – UK – Cert. 15 – 91m

*****

A bereaved Japanese in Britain in 1790 must prove herself as a samurai to survive – unique coming of age historical drama is out in UK cinemas on Friday, June 13th

A 16-year-old Japanese girl (Koki) flees over the moors, through the wood, towards a large mansion. So does a young boy. Their male pursuers walk relentlessly in her direction, but they haven’t seen her. Woe betide her if they do, because their leader (Tim Roth from Pulp Fiction, 1994; Reservoir Dogs, 1992, both Quentin Tarantino; The Hit, Stephen Frears, 1984) addresses one of their number by name then slits his throat. She gets to the house, opens the door, the sudden draught inside causing papers to blow around, but she shuts it pretty fast, sensing the woman inside. A little later, she opens the door, gingerly enters the house. A hiding place, but she must be sure the occupants don’t spot her.

No such hesitancy for the gang following her; they step inside confidently as if they own the place, pushing over and kicking the male occupant while he’s down. They spread out, and a younger man in the party, who we will later come to know as Little Sugar (Jack Lowden frrom Benediction, Terence Davies, 2021; Dunkirk, Christopher Nolan, 2017; ’71, Yann Demange, 2014), son of the gang leader Sugarman (Roth), finds her at the end of an upper corridor whose floor has given way beneath another gang member.… Read the rest

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Features Live Action Movies

Lollipop

Director – Daisy-May Hudson – 2024 – UK – Cert. 15 – 100m

*****

After four months in prison, a young woman must deal with the UK’s social services to regain custody of her kids – out in UK cinemas on Friday, June 13th

East Londoner Molly (Posy Sterling) leaves prison following a four-month sentence to discover that her two kids Ava, 11 (Tegan-Mia Stanley Rhoads) and Leo, 5 (Luke Howitt) have been taken into care because her alcoholic mum Sylvie (TeriAnne Cousins from Silver Haze, Sasha Polak, 2023) couldn’t cope with them. This means the kids have been taken into care by social services, and in order to get them back, Molly has to have a roof over her head. Alas, while she was detained, the council have taken her home off her.

She finds herself trapped between the devil and the deep blue sea – she can’t get her kids back until she has a suitable home, and she can’t get a suitable home because, until she gets her kids back, she will only be offered accommodation suitable for a single homeless woman. For the time being, she lives out of a tent.

The impulsive Molly worsens her own situation when, during a supervised visit, she abducts her kids and flees with them on the train to the wilds of the countryside.… Read the rest

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Features Live Action Movies

The Old Man
and the Land

Director – Nicholas Parish – 2023 – UK – Cert. 15 – 100m

*****

As he works on the land, an aging farmer hears his two adult children argue about the future of the family farm plays UK cinemas from Friday, September 20th 2024, with previews from Monday, September 16th following its premiere in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival, where it was the best film out of a superb lot

Movies. You think everything’s been done, then along comes something you’ve never seen before. Or, in this case, seen or heard before.

The Old Man in question is an English farmer (Roger Marten) whose family have worked the land for generations. He’s getting on in years, so won’t be around forever. His wife died a while ago, so he’s now running the farm on his own. He has two children who have long since grown up and left home: a son (voice: Rory Kinnear) and a daughter (voice: Emily Beecham), and the big question is, when he dies, will they take over – or will they get rid of the farm?

In recent years, the UK has produced a number of rural movies that stand in stark contrast to the urban- (often London-) based films produced.… Read the rest

Categories
Features Live Action Movies

Dead Calm

Director – Phillip Noyce – 1989 – Australia – Cert. 15 – 96m

*****

A bereaved couple taking time off on their yacht answer a distress call from another boat and become embroiled in a game of cat and mouse – out in UK cinemas 1989

Royal Australian Naval Officer John Ingram (Sam Neill) arrives home in Oz to discover his beautiful wife Rae (Nicole Kidman) has been involved in a car accident which was fatal for their young child. She’s in the hospital in critical condition; the camera descends into her eye. She remembers with horror her child fatefully undoing his seat belt before being thrown through a windscreen.

Having thus traumatised the audience, this then jumps to the couple on their yacht, the Saracen, where they are getting away from it all for several weeks. The weather is as flat as the title suggests. Rae bathes in the sea like an initiate in some baptismal rite awaiting a fresh start – until another vessel turns up – the Orpheus, with its one survivor Hughie Warriner (Billy Zane) claiming the rest – including several nubile, “open-minded” young women on a “photographic assignment” – have died of botulism from tuna that Hughie didn’t eat because he hates the stuff.… Read the rest