bayonet Archives - Jeremy C. Processing

Director – Fei Zhenxiang, Guan Hu – 2025 – China – Cert. 15 – 133m

The first hour and a half **1/2

The last half hour ****1/2

Chinese islanders under Japanese Occupation in WW2 set out to rescue a thousand plus British prisoners from a sinking, torpedoed ship – out in UK cinemas on Friday, August 22nd

An announcement in English on the BBC, from October 1st, 1942: “On September 27th 1942, the Japanese transport ship Lisbon Maru carrying 1,816 British prisoners of war departed Hong Kong for Japan. On October 1st, she was struck by a torpedo from American submarine USS Grouper and began to sink off the Eastern coast of China. Just two miles South West of the site lies a small island known to the Chinese as Dongji Island… This information comes overwhelmingly fast at the start, accompanied by CG images of the incident. Anyway, you get the drift.

And then, as if to suggest at least one of the directors’ true interests lie somewhere else altogether, there follow breathtaking images of an island, vast spaces with grasses blowing in the wind. And more verbal exposition: two young boys were rescued from the sea by Old Wu, but then the Northern islanders banished the boys to the Southern part of the island, believing them to have “pirate blood”.… Read the rest

Shadow of Fire
(Hokage,
ほかげ)

Director – Shinya Tsukamoto – 2023 – Japan – Cert. 15 – 95m

****

A woman has drifted into prostitution, while a small boy struggles to survive in post-war Tokyo – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

An interior in the ruins of post-war Tokyo. A figure sleeps restlessly on a mat. A man hunts for a child who has broken in and is stealing food to survive. The man says to the waking woman (Shuri), “I approach the ones who look harmless – but who knows?” As he forces himself upon here, the image cuts away to decay on the walls. The woman’s hand, like a strange, disembodied limb, appears over a parapet fixture. The man goes out to solicit clients from the woman.

A soldier (Hiroki Kono) comes in, clearly in a bad way, drinks some Sake, pays the fee, then falls asleep. In the morning, she makes him breakfast. He asks to stay, promising to get work and pay his way, but after a day or so the young boy (Oga Tsukao), who she has taken under her wing, reports that he just sits in the same spot and does no work-hunting.… Read the rest