Alan Splet Archives - Jeremy C. Processing

Shark Skin Man
and Peach Hip Girl
(Samehada Otoko
to Momojiri Onna,
鮫肌男と桃尻女)

Director – Katsuhito Ishii – 1998 – Japan – Cert. 15 – 108m

*****

Arresting and highly inventive thriller is out as a standalone Blu-ray release in the UK from Monday, April 14th 2025, also on digital, having previously appeared as the first disc of the three disc release Katsuhito Ishii Collection from Third Window Films just over a year ago (when the following piece was written for All the Anime).

Deriving its odd title from a literal translation of the leads’ surnames, Katsuhito Ishii’s highly original gangster movie from 1998 is based on a familiar plot: a man runs off with the mob’s money, and a lady companion. Or, as pioneering French New Wave director Jean-Luc Godard once put it: all you need to make a movie is a girl and a gun.

Shark Skin Man and Peach Hip Girl has much the same strengths as Godard when he’s on form. Ishii demonstrates a similar flair for taking actors or actresses and having them do what they do on camera so that it’s completely absorbing to watch: look no further than the extraordinary title sequence which starts about five minutes in and consists of little more than names and images of all the major cast members against a white background with overlaid black line animation images.… Read the rest

Eraserhead

Director – David Lynch – 1977 – US – Cert. 15 – 89 mins

*****

A look at where Eraserhead came from – and where its weirdness led. First published in 1996.

The current vogue for Special Editions and Director’s Cuts prompts David Lynch to rerelease Eraserhead with a Dolby Stereo sound remix.

The pre-existing gem of a soundtrack was textured by Lynch and collaborating sound designer Alan Splet to incorporate a host of industrial noises alongside such unforgettable effects as the hero’s girlfriend’s mother gargling during a dinner table fit. Eraserhead remains arguably the most original and innovative vision the last twenty years of American cinema have produced.

Not that film or director came from the mainstream. Abandoning painting as an art student, Lynch began making animation / live action films with the brief loop Six Men Getting Sick (1967) with the four minute The Alphabet (1969) and the half hour The Grandmother (1970) funded by American Film Institute grants. The AFI then funded Eraserhead, which mushroomed to feature length and required completion finance from elsewhere. Reactions to the result vary between boredom, revulsion, or admiration (this writer aligns with the latter).

Invited to his girlfriend Mary’s (Charlotte Stewart) for dinner, “Printer – on vacation” Henry (Lynch regular Jack Nance) learns she is pregnant.… Read the rest