Category: Live Action

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The Regulars

Director – Fil Freitas – 2025 – UK – Cert. 12 tbc – 105m

***1/2

A single day shift in the working life of the staff at London’s legendary Prince Charles Cinema – out in UK cinemas on Friday, August 22nd

2019, that halcyon time before the global pandemic. Independent repertory cinemas struggle on, their poorly paid staff a hotbed of frustrated creativity. This is as true of London’s Prince Charles Cinema (the PCC) as anywhere. Fil Freitas (playing himself, also the writer-director) can’t seem to get out of bed in time for his PCC shifts, scarcely helped by his sharing it (and his life in rented flat hell) with fellow PCC worker Dusty Keeney (playing herself, also the producer). Then, to compound his lateness for work, is the small matter of his inability to open the front door due to someone having dumped an oven outside it, a smartphone photo of which helps on this occasion to provide him with an excuse for being late. Still, his unflustered boss Sam (Ricardo Freitas) makes him sign the late book. (“Really?”)

Despite this start which feels very much like a start, there’s no real plot to speak of here beyond the (perfectly good) idea of portraying a day in the workinglife of the staff at the PCC, so the film ends at the close of day as everyone clocks off after their shift.… Read the rest

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Dongji Rescue
(Dong Ji Dao,
東吉 嶼)

Director – Fei Zhenxiang, Guan Hu – 2025 – China – Cert. 15 – 133m

The first hour and a half **1/2

The last half hour ****1/2

Chinese islanders under Japanese Occupation in WW2 set out to rescue a thousand plus British prisoners from a sinking, torpedoed ship – out in UK cinemas on Friday, August 22nd

An announcement in English on the BBC, from October 1st, 1942: “On September 27th 1942, the Japanese transport ship Lisbon Maru carrying 1,816 British prisoners of war departed Hong Kong for Japan. On October 1st, she was struck by a torpedo from American submarine USS Grouper and began to sink off the Eastern coast of China. Just two miles South West of the site lies a small island known to the Chinese as Dongji Island… This information comes overwhelmingly fast at the start, accompanied by CG images of the incident. Anyway, you get the drift.

And then, as if to suggest at least one of the directors’ true interests lie somewhere else altogether, there follow breathtaking images of an island, vast spaces with grasses blowing in the wind. And more verbal exposition: two young boys were rescued from the sea by Old Wu, but then the Northern islanders banished the boys to the Southern part of the island, believing them to have “pirate blood”.… Read the rest

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The Life of Chuck

Director – Mike Flanagan – 2024 – US – Cert. 15 – 110m

*****

From the End of the World to the life and essence of what defines one man – remarkable Stephen King adaptation is out in UK cinemas on Wednesday, August 20th

This is an adaptation of a Stephen King novella, originally one of the four stories comprising the volume If It Bleeds, published in 2020. King is known as a horror writer, but every so often he comes up with something that defies that mould, including stories that have been turned into such films as Stand by Me (Rob Reiner, 1986), The Shawshank Redemption (Frank Darabont, 1994) and Apt Pupil (Bryan Singer, 1998). His story The Life of Chuck is different again.

And, as is apparent from its outset, it employs a three act structure – a standard device in classic Hollywood screenwriting that makes the property the obvious basis for a film for any filmmaker savvy enough to spot that element – which the author unexpectedly flips on its head by reversing it. Inspired, in part, by that structure, Mike Flanagan’s film follows this template, starting off with a title card announcing Act 3 and then proceeding to tell its three related acts, all of which in one way of another concern defining moments in the life of a man named Charles Krantz (his dying in hospital, an episode one day in his adult life, an experience in his childhood).… Read the rest

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Bambi:
a Tale of Life in the Woods
(Bambi,
l’histoire d’une Vie
dans les Bois)

Director – Michel Fessler – 2024 – France – Cert. PG – 78m

*****

The woods. A faun is born, looked after by its mother, and learns to fend for itself – remarkable live action adaptation of Bambi, shot with real live animals, is out in UK cinemas on Friday, August 15th

It’s inevitable that any film adaptation of Austrian writer Felix Salten’s novel Bambi: a Tale of Life in the Woods will conjure the spectre of Disney’s groundbreaking, animated Bambi (David D. Hand, 1942). However, this French live action film (which opened in that country last year) takes interesting decisions from the get go. For a start it’s live action, so straight away we’re in the quasi-documentary area of animals being photographed, and it’s unclear to what extent these performers or their environments are being augmented by computer animation. (A couple of wide, establishing drone shots in the opening minutes, too far away to show animals, looked to this writer to incorporate CGI. But perhaps that’s just my imagination, and there’s little or perhaps no computer animation here.)

Then we have the addition of a narrator (this is the English language version, so the narrator (NAME) speaks in English – one would hope that the French soundtrack with on / off-able subtitles would be included on any forthcoming Blu-ray or DVD release, which perhaps might even have an option to switch the voice-over off altogether and just play the sound effects and the music, or even better, have a music only track available as well.)… Read the rest

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The Shrouds

Director – David Cronenberg – 2024 – Canada, France – Cert. 15 – 120m

*****

An entrepreneur who has created graveyard corpse-viewing technology to cope with his late wife’s death by cancer finds his inner world disrupted when his creation is vandalised and hacked – The Shrouds is out on UK digital from Monday, August 11th

She (Diane Kruger from The 355, Simon Kinberg, 2022; Disorder, Alice Winocour, 2015; Inglorious Basterds, Quentin Tarantino, 2009; Joyeux Noel, Christian Carion, 2005; Troy, Wolfgang Petersen, 2004) lies dead on a slab suspended on air in an underground cave. He (Vincent Cassel from A Dangerous Method, 2011; Eastern Promises, 2007, both David Cronenberg; Default, Choi Kook-Hee, 2018; Trance, Danny Boyle, 2013; Black Swan, Darren Aronofsky, 2010; Mesrine, Jean-François Richet, 2008; La Haine, Matthieu Kassovitz, 1995) screams. He is Karsh, an entrepreneur who has set up the first in a projected series of high-tech cemeteries. Thanks to his proprietary technology GraveTech, clients can install the body of their loved one in a shroud, a wraparound artefact resembling clothing fitted with cameras which record images of the deceased’s decaying body in real time, accessible for viewing by the client whenever they wish.… Read the rest

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Nobody 2

Director – Timo Tjahjanto – 2025 – US – Cert. 15 – 89m

**

A professional hitman takes his family on holiday to rebuild their trust, embracing and revelling in the violence that erupts around him – out in UK cinemas on Friday, August 15th

“Who are you people?”, asks one of two investigating officers of a man (Bob Odenkirk) and his dog in an interrogation room in the bookend device that opens and closes this sequel. Flashback: he is a married man Hutch with a wife Becca (Connie Nielsen) and two teenage kids Brady (Gage Munroe), 17, and Sammy (Paisley Cadorath), 12. As the days of the week go by – Monday, Tuesday, Wednesday, Thursday, Friday – mum gets the kids fed and off to their school (which we never see) and she drives off to her demanding real estate job (which, again, we never see).

We do see his work, though. Some days, he lies in, his head flashing back to disturbing and violent memories. Some days, he works: for instance, the day when he enters a hotel lift and brutally fights to the death with the three bodyguards protecting a suited convention guest who has in his possession the Card which our man has been instructed to retrieve.… Read the rest

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Two Way Stretch

Director – Robert Day – 1960 – UK – Cert. U – 78m

****

Three prisoners plot a heist with the perfect alibi… that they are incarcerated in prison at the time – classic British prison comedy is out on UK Blu-ray on Monday, August 4th

Very much of its time, this British prison comedy concerns three convicts and an outside contact who sets them up with the perfect job. The top-billed performer is Peter Sellers, a British household name by this time thanks to radio’s long-running comedy series The Goon Show TIMES, but far from being a straightforward vehicle for Sellers’ indisputable comic talents, the film is very much an ensemble piece, with a main cast that reads like a who’s who of British comedy acting talent of the time.

Prisoner Dodger Lane (Peter Sellers) and his two cellmates Jelly Knight (David Lodge) and Lennie Price (Bernard Cribbins) have engineered themselves a cushy existence in one of H.M. Prisons where every morning at 7 a.m. sharp, groceries are delivered by van via a rope through their cell window and their beloved cat Strangeways is periodically taken out for a walk by friendly Chief Prison Officer Jenkins (George Woodbridge). The latter is due to retire shortly, and soon after that, the three men’s sentence (for the same crime) is due to end.… Read the rest

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Weapons

Director – Zach Cregger – 2025 – US – Cert. 18 – 128m

****

One night, all but one of the children in one class in the town school disappear into the dark, leaving the townsfolk baffled as to what happened to them… – Fortean-sounding mystery is out in UK cinemas on Friday, August 8th

One night at 2.17am, the 17 other kids in Alex’s class got up out of their beds, went downstairs, opened their front doors, and ran out into the night. As a child relates the incident, we observe it in flashback. The kids run with arms half outstretched at an angle, as if playing at being aeroplanes in the school playground. If you’ve seen the film’s poster, this strange angle of the arms is also apparent. As it also is in the film’s trailer, which starts with this flashback. But what is in the mind of these kids? Where are they going? To what purpose?

For that matter, why the title Weapons? I don’t think it’s a spoiler to say that you’ll know the answer once you’ve seen the film.

Thus begins one of the most intriguing cinematic mysteries of recent years. To unpack his prologue, writer-director Cregger opts for an astute, six-part, character-based structure.… Read the rest

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Zodiac

Director – David Fincher – 2007 – US – Cert. 15 – 158m

Two cops, a crime reporter and a geek working on the same paper attempt to solve the identity of San Francisco’s 1970s Zodiac Killer – engrossing crime thriller / character study is now out on 4K Ultra HD + Blu-ray

Fincher’s feature filmography is a fascinating hit-and-miss affair, debuting with the middling Alien3 (1992) then covering gems Se7en (1995, make sure you see a silvered print), Fight Club (1999) and The Social Network (2010) plus lesser outings The Game (1997), Panic Room (2002) and The Curious Case of Benjamin Button (2008). Zodiac concerning a serial killer, you’d be forgiven for pigeonholing it as similar to Se7en – but in fact it’s something rather different. Se7en is a fictional thriller concerning cops hunting a serial murderer – or, you might argue, the murderer himself – whose killings are inspired by the Seven Deadly Sins and an exercise in avant-garde visual style.

Zodiac is based on the unsolved case of the real life Zodiac Killer who terrorised San Francisco in the seventies. It spans decades, focusing on the four men attempting to solve the case. Attempting to stay true to the facts, it avoids a wrapped up, neat ending, presenting instead the contradictory evidence and leaving you to draw your own conclusions – or make your own guess as to the killer’s identity.… Read the rest

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Late Shift
(Heldin)

Director – Petra Blondina Volpe – 2025 – Switzerland – Cert. 12a – 92m

****1/2

An experienced and competent nurse in a hospital in the Western world endures a particularly gruelling night shift – out in UK cinemas on Friday, August 1st

There’s a moment of calm at the start of Late Shift… Scrubs going through a laundry system… Floria Lind (Leonie Benesch from September 5, Tim Fehlbaum, 2024; The Teachers’ Lounge, Ilker Çatak, 2023; The White Ribbon, Michael Haneke, 2009) on the night bus to her shift… She and a colleague making small talk whilst changing at the lockers… (The film ends similarly, with a reverse of this bookend, peace after the night shift is over.) And then, they’re on shift.

As soon as Mrs. Lind comes into the ward, the chaos starts. She helps a male colleague (bilingual in German and, for the patient, French) lift the demented Mrs Kuhn (Margherita Schoch) out of her wheelchair so Floria can change the lady’s underwear (and, quite literally, clean her shit off the floor). This evening, it’s Floria, one other nurse (Sonja Riesen), and Amelie (Selma Jamal Aldin), an inexperienced med student. Handing over, a colleague runs through by name the patients on the ward this shift and their various medical needs.… Read the rest