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Features Live Action Movies

One Battle After Another

Director – Paul Thomas Anderson – 2025 – US – Cert. 12A – 161m

*****

Over a decade after they disappeared into a safe town with new identities, a father and now-teenage daughter are tracked down by their army officer nemesis… – one of the most extraordinary Warner Bros. action movies you’ve ever seen is out in UK cinemas on Friday, September 26th

Radical, black revolutionary Perfidia Beverley Hills (Teyana Taylor) is on the verge of leading the forces of underground far-left organisation the French 75 in an attack on a Californian immigration centre to free those imprisoned when a bedraggled man pulling a trailer, looking to all intents and purposes like a refugee, turns up. Pat Calhoun (Leonardo DiCaprio) tells Perfidia he has all the explosives she could possibly need, and sets about using them with her blessing, putting on an impressive show of pyrotechnics to prove his credentials. Inside the centre, Perfidia locates its commanding officer Col. Steven J. Lockjaw (Sean Penn) to sexually humiliate him at gunpoint. Surprisingly, this personal violation only serves to turn the white soldier on.

With Pat and the pregnant Perfidia now a couple, she carries on her high octane, physically demanding revolutionary activities, belly fully swollen, as if there were no child.… Read the rest

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Features Live Action Movies Music

Sinners

Director – Ryan Coogler – 2025 – US – Cert. 15 – 138m

*****

In 1932, a young blues guitarist finds himself out of his depth when two brothers open a juke joint which comes unexpectedly under siege from supernatural forces – out in UK cinemas on Friday, April 18th

It’s a strange thing, but Warner Bros., which has a reputation for tough guy movies from its hard-edged gangster movies of the 1930s, has never made a movie about the blues. If that seems something of a stretch as an assumption, humour me here. The blues came out of the hardships of the Afro-American experience – white racism and the slave trade, poverty and hardship, and there was something raw about it, much as with those early gangster movies that shaped the Studio’s identity.

The idea of Warner Bros. making a movie about the black experience and the blues (or, indeed, building an entire genre around that idea) seems so obvious that it’s a wonder the Studio never did it before. Perhaps it’s significant that Warner Bros. were the Studio that made Elvis (Baz Luhrmann, 2023), which touches on such material.

Warner Bros. also has the first talking picture, The Jazz Singer (Alan Crosland, 1927), hardwired into its DNA.… Read the rest