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China Sea
(Kinų Jūra)

Director – Jurgis Matulevičius – 2025 – Lithuania, Taiwan, Poland, Czechia – 96m

*****

A former champion kickboxer whose career has been destroyed by his poor anger management attempts to find direction in life – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

World champion kickboxer Osvald Gurevicious (Marius Rapsys) has it all, but unfortunately is a bit too full of himself, accidentally clobbering a woman who is standing in the wrong place during a bar room brawl. We see him at the height of his success, playing an opponent in a tournament in Japan, but we never see the incident which destroys his career. Instead, he goes on TV back in Lithuania explaining that it was all a terrible accident which he regrets, but sadly that doesn’t seem to cut any ice.

Discussing the situation with his coach (Marius Misiūnas), he resolves to make the best of the situation by opening his own gym; his coach, however, isn’t sure that Osvald has what it takes and suggests he work at the gym as an assistant to see if he has a feel for coaching. Among Osvald’s new kickboxing charges is the promising Angelika (Samantha Drilingate), who he helps to learn how to defend herself in the ring when she comes in one day with a massive torso bruise from a bar fight that got out of hand.… Read the rest

Categories
Features Live Action Movies

Mo Papa
(Mo Papa)

Director – Eeva Mägi – 2025 – Estonia – 88m

*****

A young ex-con imprisoned as a teenager for killing his younger brother tries to make his way in present-day Tallinn – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

I am wary of unscripted feature films. There is a reason why most narrative movies are made working from scripts; actors have lines to speak, to help them get a handle on their characters. Technicians have an idea of what they are realising on the screen or the soundtrack for a director. Without a script, most attempts at making a film are liable to founder. And quite probably result in an indulgent, unwatchable movie.

Mo Papa, according to the Festival’s blurb, was unscripted. On the one hand, I fear the worst. On the other, after three years of watching Critics’ Picks at Tallinn, I know the standard to be generally high, and duff films are happily all too rare. Would Mo Papa turn out to be one of those rare blips?

It’s also an Estonian movie, and because this is an Estonian festival, in a sense that ups the ante. So I’m really hoping it’s going to be good.… Read the rest