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Film Festivals

Click the links below for coverage of:

2024

Echoes in Time | Korean Films of the Golden Age and New Cinema (Monday, October 28th until the end of 2024, BFI Southbank, London)

Clapham International Film Festival (CIFF, although IMHO they ought to change it to CLIFF)

Tallinn Black Nights Film Festival (PÖFF)

Art of Action (Monday, October 21st until the end of November 2024, BFI Southbank, London)

London Korean Film Festival (LKFF)

London East Asia Film Festival (LEAFF)

BFI London Film Festival (LFF)

Annecy

Japan Film Festival Ireland

Glasgow Film Festival

Japan Foundation (JPF) Touring Film Programme

2023

Tallinn Black Nights Film Festival (PÖFF)

London Korean Film Festival (LKFF)

London East Asia Film Festival (LEAFF)

Cinema Unbound: The Creative Worlds Of Powell + Pressburger

BFI London Film Festival (LFF)

Annecy

Focus Hong Kong

Japan Foundation (JPF) Touring Film Programme

2022

Tallinn Black Nights Film Festival (PÖFF)

London Korean Film Festival (LKFF)

London East Asia Film Festival (LEAFF)

BFI London Film Festival (LFF)

Annecy

Focus Hong Kong Making Waves

BFI Anime 2022

Japan Foundation (JPF) Touring Film Programme

Yamagata International Documentary Film Festival (YIDFF)

Focus Hong Kong Chinese New Year

2021

BFI Japan 2021

MUBI New South Korean Cinema season

London Korean Film Festival (LKFF)

London East Asia Film Festival (LEAFF)

BFI London Film Festival (LFF)

Scotland Loves Anime

Annecy

Japan Foundation (JPF) Touring Film Programme

Or click any of these tags:

Categories
Animation Features Movies

Inu-Oh
(Inu-Oh,
犬王)

Director – Masaaki Yuasa – 2021 – Japan – Cert. – 98m

***1/2

In fourteenth century Japan, a blind musician and a deformed, masked dancer shake up the culturally staid world of Noh theatre by forming a hugely popular rock band – out in UK cinemas on Wednesday, September 28th

You never quite know what you’re going to get with an animated feature by Masaaki Yuasa (Ride Your Wave,2019; Lu Over the Wall, 2017; Mind Game, 2004) as he has a tendency to break with tradition. Here, he takes on periods of Japanese history but rather than go with power struggles as to who rules Japan, he focuses on two outcasts, an orphaned musician and a deformed dancer, who join together to form a rock band with an emphasis on theatrical showmanship to upend the artistic conventions of the day and become an overnight sensation until the ascendant ruler, determined to control the historical narrative, has the musician killed, and the dancer emasculated, forbidden to perform anything but state-approved material, and that only in the Imperial court.

It’s a triptych, one long story split into three sections. In the first section, after a prologue detailing the decisive Battle of Dan-No-Ura towards the end of the twelfth century, in which the Heiji clan were defeated by the Genji and the formers warriors threw themselves into the sea and perished, two centuries later in the period of the Northern and Southern Courts, Northern would be Kyoto-based, shogunate emperor Ashitaka decides that the power to rule demands he acquire three sacred treasures, one of which is a sword buried in the lake at Dan-No-Ura.… Read the rest