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I’m Still Here
(Ainda Estou Aqui)

Director – Walter Salles – 2024 – Brazil – Cert. 15 – 137m

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When a family man is disappeared by Brazil’s military dictatorship, his wife must fight for justice while raising their family of five children alone – out in UK cinemas on Friday, February 21st

1971. The middle of Brazil’s 1964-85 military dictatorship. Former government commissioner Rubens Paiva (Selton Mello), a trained civil; engineer, lives with his family in Rio de Janeiro where he is designing the new family home he plans to build. The purchased plot of land, in view of the Christ the Redeemer monument, is staked out, and he has made little models of what the whole thing will look like, captured along with his partying family on Super-8 film by his home-movie-camera-wielding, eldest daughter Veroca (Valentina Herszage). Said eldest daughter (he has four of them plus one young son) is about to go to college. Taking the lead from his wife Eunice (Fernanda Torres), who is concerned that their daughter’s likely involvement in radical student politics will get her in trouble with the dictatorship, Rubens sets her up with an old family friend to study abroad in London.

With reports on the TV news of various diplomats being kidnapped by paramilitaries, who want to exchange them for political prisoners, in a worrying taste of events to come, Veroca is travelling and filming her Super-8 as a passenger in a friend’s car wherein weed is being smoked, when they hit a military roadblock in a road tunnel.… Read the rest

Categories
Features Live Action Movies

Three Colours: White
(Trois Couleurs: Blanc)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 92m

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A Pole down on his luck and facing legal proceedings from his French wife, smuggles himself on a plane from Paris to Warsaw in order to get his life and dignity back – 4K restoration is out in UK cinemas on Friday, April 7th

This represents the second part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). Or perhaps it’s not as straightforward as that – at least, that’s what actress Julie Delpy suggested when I interviewed her about the film in 1994.

There are some curious editing decisions at the start – bits of stories told in fuller detail later on, such as shots of a suitcase on an airport conveyor belt, and a glimpse of a happy bride (Julie Delpy) in her white bridal dress leaving the church building for the fresh air and bright sunlight outside to meet waiting guests as, in front of her, a host of pigeons take off, an image to which the editing returns several times during what follows.… Read the rest