Michael Gough Archives - Jeremy C. Processing

Directors – Tim Burton, Mike Johnson – 2005 – US – Cert. PG – 77m

*****

When his arranged marriage preparations go badly wrong, a young man inadvertently marries a dead woman from the underworld – stop-frame animated marvel is out on 4K Ultra HD and Digital, and in UK cinemas on Friday, October 10th

It is a grey world, and everything must go… according to plan. For there is to be a rehearsal today for a marriage that will take place tomorrow. The son of nouveau riche couple the Van Dorts (voices: Tracey Ullman, Paul Whitehouse) is to wed the daughter of penniless aristocrats Lord and Lady Everglot (voices: Joanna Lumley, Albert Finney). The bridegroom Victor (voice: Johnny Depp) has yet to meet his bride Victoria (voice: Emily Watson) and, left in the vast Everglot vestibule, the young man plays the piano. The tune floats up the stairs and is heard by Victoria who is drawn to it and its performer. She descends the stairs to listen and, against the odds, the pair fall in love.

Three hours into the marriage rehearsal, presided over by Pastor Galswells (voice: Christopher Lee) and poor Victor can’t seem to get his lines right.… Read the rest

The Small Back Room

Directors – Michael Powell, Emeric Pressburger – 1949 – UK – Cert. PG – 106m

*****

In London during World War Two, a back room boffin and bomb disposal man struggles with alcoholism – 4K restoration played at BFI Southbank on Tuesday, May 28th prior to release on Blu-ray, DVD and Digital on Monday, June 3rd

This black and white, post-war era drama isn’t the first film that comes to mind when people think about Powell and Pressburger – it was made immediately after what today are regarded as three of their best colour features – A Matter of Life and Death (1946), Black Narcissus (1947) and their arguable masterpiece The Red Shoes (1948). And that was preceded by one of their finest black and white works, “i know where i’m going!” (1945).

In many ways, The Small Back Room couldn’t be more different. There’s a marvellous sense of whimsy about those films, even if the later ones are intense and savage in places. Like Black Narcissus and The Red Shoes – and, for that matter, Powell’s late solo masterpiece Peeping Tom (1960), an intensity lies at the heart of The Small Back Room.

Gone are the light, airy spaces of the earlier films, their sense of the outdoors expanse (and, in The Red Shoes, the expanded landscapes of the eponymous ballet sequence within the film).… Read the rest