interiors Archives - Jeremy C. Processing

Director – Milos Forman – 1975 – US – Cert. 18 – 133m

*****

An unpredictable new inmate unsettles the controlling nurse presiding over a hospital ward’s mental patients– out now in the UK on 4K UHD and 4K UHD Steelbook

A state hospital for the mentally ill, a live-in ward presided over by Miss Ratched (Louise Fletcher). For reasons that are never entirely clear, RP McMurphy (Jack Nicholson) arrives for a stay to evaluate his mental health. It’s also not clear whether there is anything actually wrong with him; the prison that sent him thinks he was faking it to get out of a work detail.

McMurphy finds himself on Miss Ratched’s ward, which she runs in a highly regimented fashion. He doesn’t like that, and the scene is set for a battle of the wills.

The film was originally a 1962 novel by Ken Kesey which became a play within a year with Kirk Douglas playing McMurphy. That ran on Broadway for six months, and Douglas was so taken with it that he spent most of the 1960s trying to make the film, eventually deciding on Forman as director and sending him a copy of the novel. Forman never received the book as it was seized by the Czech authorities.… Read the rest

The Small Back Room

Directors – Michael Powell, Emeric Pressburger – 1949 – UK – Cert. PG – 106m

*****

In London during World War Two, a back room boffin and bomb disposal man struggles with alcoholism – 4K restoration played at BFI Southbank on Tuesday, May 28th prior to release on Blu-ray, DVD and Digital on Monday, June 3rd

This black and white, post-war era drama isn’t the first film that comes to mind when people think about Powell and Pressburger – it was made immediately after what today are regarded as three of their best colour features – A Matter of Life and Death (1946), Black Narcissus (1947) and their arguable masterpiece The Red Shoes (1948). And that was preceded by one of their finest black and white works, “i know where i’m going!” (1945).

In many ways, The Small Back Room couldn’t be more different. There’s a marvellous sense of whimsy about those films, even if the later ones are intense and savage in places. Like Black Narcissus and The Red Shoes – and, for that matter, Powell’s late solo masterpiece Peeping Tom (1960), an intensity lies at the heart of The Small Back Room.

Gone are the light, airy spaces of the earlier films, their sense of the outdoors expanse (and, in The Red Shoes, the expanded landscapes of the eponymous ballet sequence within the film).… Read the rest