Édouard Manet Archives - Jeremy C. Processing

Exhibition on Screen
Dawn of Impressionism
Paris 1874

Director – Ali Ray – 2025 – UK – Cert. U – 91m

*****

The origins of Impressionism are revealed via the 1874, anti-art-establishment exhibition which birthed what is today the world’s favourite art movement – out in UK cinemas from Tuesday, March 18th

At the present time, the best known school of painting in the history of art must surely be Impressionism. To both open this latest Exhibition on Screen outing and promote the film on its posters, the filmmakers head to arguably the most iconic Impressionist painting of them all, Claude Monet’s Impression: Sunrise (1872), pictured above. To reinforce the point, a brief art auction sequence shows one of his paintings fetching astronomical prices.

Exhibition on Screen’s excellent, history of art documentary series entries are often built around one or more specific art exhibitions, and this one uses two as its foundation. The Musée d’Orsay in Paris held Paris 1874: Inventing Impressionism from March 26th until July 14th 2024, after which the exhibition travelled to the National Gallery of Art, Washington DC to appear under the slightly different moniker Paris 1874: The Impressionist Moment from September 8th 2024 until January 19th 2025. Alas, this is not one of those cases where your appetite will be whetted to go and see a current or upcoming exhibition, because both shows have already been and gone.… Read the rest

Nobody Likes Me
(Nikdo Mne Nemá Rád)

Directors – Petr Kazda, Tomáš Weinreb – 2024 – Czechia, Slovakia, France – 105m
*****

The female gaze. An introvert woman finds love in an unlikely place where, it turns out, there are catches – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

A figure stands in interior darkness. Watching. She moves forward. She lies down on the bed. She sits up. She makes and eats a simple breakfast. She stands on a moving tram; the brown autumn leaves behind her. At her desk, wearing her military uniform, Sarah (Rebeka Poláková) details to the Commander his itinerary for the day, and fields requests from others for his attention. She seems content in her work.

One evening, Sarah sees a woman across the street in physical difficulty. Perhaps she should help but, frozen on the spot, she stares. The woman starts to throw up – presumably she’s had too much to drink. A man appears from nowhere and comes to the woman’s aid. Sarah can’t take her eyes off him. The female gaze. He looks back at her. She looks back at him.

She gets on well with her dad, a doctor, who she regularly visits at his surgery for health check-ups.… Read the rest