Tag: custody

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Street Wanderers
(Los Caminantes
de la Calle)

Director – Juan Martin Hsu – 2025 – Argentina, Peru – 90m

*****

Argentinian cops and robbers procedural is set largely in the world of Mendoza’s immigrant Chinese community – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

2010. Mendoza, Argentina. The family-run, Chinese restaurant of Dageng (Kon Yam Pin) receives telephone threats for protection money. When they don’t pay up within 24 hours, a motorbike with two riders pulls up on at their door which opens onto the main street and fires four shots. So Dageng’s son (Willy Kon Chin Yi) delivers a rucksack containing $50 000 to the gang. But later, the riders complain there was only $30 000 and demand another $20 000.

Lots of similarly threatening phone calls overlap on the soundtrack as we see numerous yellow cables plugged into a telecoms hub, recalling similar motifs in movies as diverse as Three Colours Red (Krzysztof Kieślowski, 1994) and Dial M for Murder (Alfred Hitchcock, 1953).

The prosecutor’s office is monitoring phone calls, but faces challenges. One such is that the calls are in Cantonese so require an interpreter to turn them into intelligible Spanish. Another is illustrated when the current interpreter quits, terrified what might happen to her family if word about the nature of her work gets out.… Read the rest

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Fountain of Youth
(2025)

Director – Guy Ritchie – 2025 – US – Cert. 12a – 126m

*

Two estranged, treasure-hunting siblings, with the help of a rich backer, pursue the trail towards the life-giving water source of legend, pursued by forces that want to prevent them from doing so – premieres globally on Apple TV+ from Friday, May 23rd

Films get made in a variety of different ways. According to the press handouts, this one came about initially through producer Tripp Vinson’s research into the legendary Fountain of Youth and the desire to have a globe-trotting hero searching for it. This idea was developed by screenwriter James Vanderbilt (Scream VI, Matt Bettinelli-Olpin, Tyler Gillett, 2022; The Amazing Spider-man, Marc Webb, 2012; Zodiac, David Fincher, 2007) into where the hero was not one but two people, an estranged brother and sister. When director Ritchie later came on board, he brought to it the idea of the journey being more important than the destination. This is not, therefore, a director-led project. In the process of making movies, however, it is ultimately the director, once they are on board, who is responsible for the myriad decisions that are taken in putting the film on the screen.… Read the rest

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I’m Still Here
(Ainda Estou Aqui)

Director – Walter Salles – 2024 – Brazil – Cert. 15 – 137m

****

When a family man is disappeared by Brazil’s military dictatorship, his wife must fight for justice while raising their family of five children alone – out in UK cinemas on Friday, February 21st

1971. The middle of Brazil’s 1964-85 military dictatorship. Former government commissioner Rubens Paiva (Selton Mello), a trained civil; engineer, lives with his family in Rio de Janeiro where he is designing the new family home he plans to build. The purchased plot of land, in view of the Christ the Redeemer monument, is staked out, and he has made little models of what the whole thing will look like, captured along with his partying family on Super-8 film by his home-movie-camera-wielding, eldest daughter Veroca (Valentina Herszage). Said eldest daughter (he has four of them plus one young son) is about to go to college. Taking the lead from his wife Eunice (Fernanda Torres), who is concerned that their daughter’s likely involvement in radical student politics will get her in trouble with the dictatorship, Rubens sets her up with an old family friend to study abroad in London.

With reports on the TV news of various diplomats being kidnapped by paramilitaries, who want to exchange them for political prisoners, in a worrying taste of events to come, Veroca is travelling and filming her Super-8 as a passenger in a friend’s car wherein weed is being smoked, when they hit a military roadblock in a road tunnel.… Read the rest

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Shayda

Director – Noora Niasari – 2023 – Australia – Cert. 15 – 117m

*****

An Iranian mother and her young daughter, holed up in a women’s refuge in Australia, live in fear of the girl’s estranged father who wants to take them both back to Iran – out in UK cinemas on Friday, August 2nd

A woman is with a mum and her little girl in a shopping mall. The woman tells the little girl to remember the counters, because if daddy brings her here, she must find them and tell the security man nearby who she is. The girl’s mother reminds her that daddy said he’d take her on a plane. The woman tells the mother, she’s done the right thing.

Shayda (Zar Amir Ebrahimi from Holy Spider, Ali Abassi, 2022) and her young daughter Mona (Selina Zahednia) are separated from Shayda’s husband. The other woman is Joyce (Leah Purcell), who runs a woman’s refuge house catering for residents from a variety of ethnic groups. Shayda and Mona, for example, are Iranian. Shayda’s photo album tells the story of her life. In the mid-1980s, she graduated and got married in Iran; in the early 1990s, the couple moved to Brisbane, Australia.… Read the rest

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Shayda

Muslim limbo

Shayda
Directed by Noora Niasari
Certificate 15, 117 minutes
Released 19 July

An Iranian woman, Shayda (Zar Amir Ebrahimi from Holy Spider, Ali Abassi, 2022), is staying with her young daughter Mona (Selina Zahednia) in a woman’s refuge house in Brisbane run by Joyce (Leah Purcell). Shayda’s husband Hossain (Osamah Sami) came to Australia with her before they separated and has been granted visiting rights for Mona. Even though Hossain talks of taking Mona on a plane back to Iran, if Shayda wants full custody, Joyce recommends she allows Hossain the allotted time alone with his daughter in the local shopping mall.

Outside of these handovers, Shayda rarely leaves the women’s refuge… [Read the full review at Reform]

Read my longer review for this site – coming soon.

Trailer:

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Winny
(Winny)

Director – Yusaku Matsumoto – 2023 – Japan – Cert. tbc – 127m

*****

Based on a true story; the state attempts to prosecute the software developer of the file sharing programme Winny for copyright violation – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

2003. After programmer Isamu Kaneko (Masahiro Takashide) creates a file-sharing programme Winny, the media reports that people are using it to illegally download movies. Across Japan in late November, a series of police raids on flats leads to the arrests of several Winny users, along with its creator. In custody and being questioned, Kaneko is very bad at paying attention. Believing the cops have his and society’s best interests at heart, he cooperates by copying into his own handwriting a confession they have written and signing it, on the verbal understanding that he can change or tweak the document before it is used in court. The interrogating cop, however, has deceived him into making a statement that will stand as evidence in court.

Defence attorney Toshimitsu Dan (Takahiro Miura) agrees to take on Kaneko’s case and is horrified by the computer programmer’s naivety about all things legal.… Read the rest

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The Wife
And
Her House Husband

Director – Marcus Markou – 2022 – UK – Cert. 15 – 86m

****

A divorcing couple follow instructions in a document they handwrote between them back when it seemed they’d be in love forever – out in selected UK cinemas (admission only one pound) from Friday, March 10th

Cassie (Laura Bayston – smart crimson suit, smart shirt) and Matt (Laurence Spellman from the director’s earlier short Two Strangers Who Meet Five Times – cheap hoodie) are at the end of their relationship. Somewhere along the line, it was good. But then it all went wrong. And now, here they are at their final meeting in her solicitor’s offices (£250 an hour, she’s paying) sorting everything out. She’s given him the house, half her salary.

Back at the beginning of their relationship, between them, they handwrote a document to be read and acted upon should it all come to this. Each of their handwriting gives away which bits they each wrote, which is just as well because their memories aren’t that good and they don’t remember writing parts of it. Or even any of it. But she just wants the chance to say goodbye. Properly. An ending.

First item on the list: to meet up in the park where they first met 20 years ago.… Read the rest

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Dark Water
(Honogurai
Mizu
No Soko Kara,
仄暗い水の底から)

Director – Hideo Nakata – 2002 – Japan – Cert. 15 – 101m

*****

Plays in the BFI Japan 2021 season October / November at BFI Southbank. Also, currently streaming on BFI Player as part of the BFI Japan 2021 programme. Currently available to view on Amazon Prime, BFI Player and Shudder.

Review originally published in Funimation UK to coincide with the UK Dual Format Blu-ray/DVD release date 14/10/2016.

Jeremy Clarke on Hideo Nakata’s urban ghost story.

At the centre of Hideo Nakata’s film Dark Water (2002) is the powerful bond that exists between a mother and her child. Yoshimi Matsubara (Hitomi Kuroki) is in the middle of divorce proceedings and while all the financial arrangements have been agreed, the question of who gets custody of the couple’s daughter has yet to be settled. Yoshimi is assured that in cases where the child is less than six years old, the mother tends to get custody. However, her former husband is attempting to discredit her to prevent this happening.

This is all very stressful to Yoshimi. For the time being however she and her almost six year old daughter Iku (Rio Kanno) need to find a place to live.… Read the rest

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Herself

Director – Phyllida Lloyd – 2020 – UK/Ireland – Cert. 15 – 97m

****

A woman leaves her abusive and violent husband and builds a new home for herself and her two young daughters – in UK cinemas from Friday, September 10th

Things come to a head in the marriage of Gary (Ian Lloyd Anderson) and Sandra (Clare Dunne, also co-screenwriter) when he violently assaults her and stamps on her hand, an incident witnessed by their younger daughter Molly (Molly McCann). Sandra has trained her kids well for such a situation and the eldest Emma (Ruby Rose O’Hara) knows what to do, rushing to the local shopkeeper with a lunch box inside the lid of which is the family address to give to the Garda.

Like her mother before her, Sandra works as a cleaner to retired and physically disabled local doctor Peggy O’Toole (Harriet Walter). To make ends meet, Sandra also works in a local pub as a barmaid alongside Amy (Ericka Roe) who lives in a nearby squat. After separating from Gary, she and he have joint custody of the kids while the council put her and her kids up in temporary accommodation in a hotel room.

As it’s four years on the housing list to get a home, Sandra investigates other alternatives and, surreptitiously using Peggy’s internet, discovers that she could build a house for only slightly more than a year’s rent to the council.… Read the rest

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Herself

A house of her own

Herself
Directed by Phyllida Lloyd
Certificate 15, 97 minutes
Released 10 September

Herself has a brutal opening in which Sandra (Clare Dunne), a mother of two girls in Dublin, is physically assaulted by her husband Gary (Ian Lloyd Anderson), an incident witnessed by her youngest daughter, Molly (Molly McCann), while her eldest, Emma (Ruby Rose O’Hara), races across the estate to the local shop to deliver a pre-written emergency message.

From here, it becomes a tale about a single mum’s struggle to find a decent home for her and her kids in the face of a social welfare system that can’t cope with either the level of need or any innovation through which people try to legitimately help themselves… [Read more]

Full review published in Reform.

See my alternative review of the film here.

Trailer: