Categories
Features Live Action Movies

Taegukgi
The Brotherhood of War
(Taegukgi Hwinallimyeo,
태극기 휘날리며)

Director – Kang Je-gyu – 2004 – South Korea – Cert. 15 – 140m

****

When two brothers are conscripted into the Korean War, the older one’s attempts to keep the younger from harm’s way irrevocably damage their filial relationship – plays in LEAFF10 (London East Asia Film Festival 2025) with an In Conversation session with Production Designer Shin Bo-kyeong on Monday, October 27th

Named after the South Korean national flag, this latest Kang Je-Gyu (The Gingko Bed, 1996; Shiri, 1999) offering tells the story of two young Korean brothers caught up in the Korean War (initiated when the Communist North invaded the South in 1950). Like numerous other Oriental movies (e.g Bullet In The Head, John Woo, 1990), the considerable, historical detail realised on the screen is secondary to the emotionally charged, interpersonal core drama.

Thus, shoe shine boy and older sibling Jin-Tae (Jang Dong-gun from Nowhere To HideLee Myung-se, 1999) is saving to send little brother Jin-Seok (Won Bin) to university. When war breaks out, younger brother is conscripted, with elder brother forcibly joined up only when he tries to have Jin-Seok’s conscription reversed. Leaving behind girlfriend Young-Shin (Lee Eun-doo), Jin-Tae learns that his earning the medal of honour might secure Jin-Seok’s release, so sets about on the one hand undertaking as many dangerous missions as possible and on the other refusing to allow Jin-Seok to do so.… Read the rest

Categories
Animation Features Movies

The Glassworker
(Sheesha Gar,
شیشہ گ)

Director – Usman Riaz – 2024 – Pakistan, Spain – Cert. 12a – 98m

*****

The son of a pacifist glassblower learning his father’s trade falls for the violin-playing daughter of an army colonel in wartime – complex, animated, anti-war drama is out in UK cinemas on Friday, September 19th

If you knew nothing about this animated film beforehand, you’d assume it to be Japanese. Love it or hate it, most animation made in Japan falls within very distinctive, stylistic, visual parameters. According to the press blurb, director Riaz is an admirer of Studio Ghibli directors Miyazaki and Takahata as well as more recent directors Mamoru Hosoda and Satoshi Kon. Visually, the film feels more like a Miyazaki than anything else, and of comparable quality too. Yet it’s also highly original, and Riaz, here directing his first feature after a number of shorts, clearly has his own voice.

It opens with a frame story about youthful glassblower Vincent Oliver (voice: Sacha Dhawan) who, with the help of his father, is preparing for the opening of his debut glassware exhibition. He rereads a letter from a girl which his father (voice: Art Malik) had told him years ago to destroy in their workshop’s furnace.… Read the rest

Categories
Features Live Action Movies

The Human Condition
Trilogy
(Ningen
no Joken,
人間の條件)

The Human Condition I: No Greater Love (Ningen No Joken: Dai 1 Hen, 人間の條件・第一・第二部)

Director – Masaki Kobayashi – 1959 – Japan – Cert. 15 – 208m

The Human Condition II: Road To Eternity (Ningen No Joken: Dai 2 Hen, 人間の條件・第三・第四部)

Director – Masaki Kobayashi – 1959 – Japan – Cert. 15 – 181m

The Human Condition III: A Soldier’s Prayer (Ningen No Joken: Kanketsu Hen, 人間の條件・完結篇)

Director – Masaki Kobayashi – 1961 – Japan – Cert. 15 – 190m

*****

The following review originally appeared in Funimation UK.

Jeremy Clarke on a live action Japanese classic.

The main reason Masaki Kobayashi’s extraordinary trilogy The Human Condition has been scarcely seen in the West is its daunting nine hours plus length. That’s no longer the case thanks to its UK release on DVD and Blu-ray.

The trilogy’s three constituent films released two in 1959 and one in 1961 clock in at over three hours apiece which makes it long by any standard. Ostensibly three films spread over three discs in the new release it is to all intents and purposes one very long movie helpfully broken into six numbered parts of roughly equal length. This big screen cinema release viewed on a home cinema platform today stands up well alongside many contemporary TV mini-series.… Read the rest