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Features Live Action Movies

This is England

Director – Shane Meadows – 2006 – UK – Cert. 18 – 101m

A young, pre-teenage lad falls in with a gang of skinheads in Post-Falklands War, Thatcherite Britain – originally published in Third Way in 2007, to coincide with the film’s UK release date

The above one line synopsis, although accurate, doesn’t even begin to convey the piece’s considerable strengths. (Note: Meadows would subsequently develop this into a series of TV dramas in the UK using many of the same cast and characters: This is England ‘86, This is England ‘88 and This is England ‘90 in 2010, 2011 and 2015 respectively.)

Meadows is a unique and powerful voice, a teenage school dropout who kicked off his career in features with 1996’s 60-minute feature Small Time and went on to greater things TwentyFourSeven (1997) and critical favourite A Room For Romeo Brass (1999). His highest profile effort is the less impressive Once Upon A Time In The Midlands (2002), which suffers from trying to make an epic with an all-star British cast. Meadows is not about big movies (not yet, anyway) – he began shooting movies with mates as actors and has an uncanny ability to draw incredible performances out of actors and non-actors alike, based as much on the people concerned as on their acting ability.… Read the rest

Categories
Features Live Action Movies

Broken Arrow
(1996)

Director – John Woo – 1996 – US – Cert. 15 – 108m

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Woo’s second US outing pits Christian Slater against nuclear stealth bomber co-pilot turned bad John Travolta in the Arizona desert – part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

The first project to see the light of day from WCG Entertainment, whose initials stand for Woo Chang Godsick. This triumvirate of names belongs to respectively the director of A Better Tomorrow (1986), The Killer (1989), and Hard Boiled (1992), his longstanding Hong Kong producer Terence Chang, and former agent Christopher Godsick – whose William Morris client list had included Woo himself and the director’s onscreen alter-ego Chow Yun‑fat.

Like his earlier successful action blockbuster Speed (Jan de Bont, 1991), Graham Yost’s script was initially written for producer Mark Gordon. After Woo’s more modestly budgeted US debut Hard Target (1993) was followed by disappointing setbacks on other American projects; Yost’s screenplay was exactly the entry into the US blockbuster market Woo needed. While the resultant film may be ultimately less satisfying than Woo’s best work, it quickly established him as a top Hollywood A-list director.… Read the rest