Tag: YIDFF 2022

The return of a Japanese-Korean woman’s brothers to North Korea, encouraged by her parents, causes her considerable grief over the years – online in the UK as part of Yamagata International Documentary Film Festival (YIDFF) from Monday, January 17th to Sunday, February 6th, 2022.

The Zainichi are ethnic Koreans living in Japan. When that latter country was divided into North and South Korea, the Japanese required Koreans to designate themselves accordingly. Thus, they were forced to choose one side or the other and it reinforced their identity either way. From 1959 onwards, some 90 000 North Koreans returned from Japan to Korea in full expectation that it would be only a matter of time before North and South were reunited as a single nation once again. That still hadn’t come to pass by the time this documentary was completed, and it still hasn’t today some 15 years on.

As a six-year-old, Yang Yong-hi watched her three older brothers get on a one-way boat trip to North Korea, the country her dad designated their Fatherland. However, it wasn’t the world in which they – or she – had grown up. She was born in the Japanese town of Tsuruhashi where a quarter of the population was Korean.… Read the rest

Documentary Features Live Action Movies

The Weald
(Somaudo Monogatari,
杣人物語)

Post author By Jeremy Clarke
Post date 25 January 2022
No Comments on The Weald
(Somaudo Monogatari,
杣人物語)

Director – Naomi Kawase – 1997 – Japan – 73m

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Serial elderly residents of Japan’s Yoshino Mountains go about their daily business and talk about life’s joys and hardships – online in the UK as part of Yamagata International Documentary Film Festival (YIDFF) from Monday, January 17th to Sunday, February 6th, 2022.

Prior to making such features as The Mourning Forest (2007), Sweet Bean (2015) and Japan’s 2021 International Oscar entry True Mothers (2020), independent Japanese film maker Kawase cut her teeth on intensely personal, low budget documentaries, first shorts then both shorts and features.

For this her third feature length documentary, Kawase took her camera up the Yoshino Mountains at the Southern end of Japan’s two island mainland to shoot the lives of elderly locals recording them and presenting her footage as a series of straightforward portraits. There’s no attempt to impose any narrative or outside agenda; rather, her camera gives space to these people to talk, reminisce and, ultimately, simply to be.

A woman who has spent her entire life farming a small plot of land keeps herself to herself, claims she isn’t lonely and that she likes being at home. “How much longer can I do this,” she asks the camera as she walks up a woodland slope.… Read the rest