yellow red and blue Archives - Jeremy C. Processing

Director – Ugo Bienvenu – 2025 – France – Cert. PG – 82m

French with subtitles (not in UK cinemas) *****

English dubbed version (in UK cinemas) ****1/2

A boy from the far future attempts time travel too young and gets stranded in an earlier time – animated SF feature is out in UK cinemas on Friday, March 20th

Somewhere in the distant future, above the clouds where the birds fly, in semi-spherical houses constructed on supports rising through the clouds, live the likes of Arco (English voice: Juliano Krue Valdi; French voice: Oscar Tresanini) with his mother (voices: America Ferreira; Sophie Mas) and father (Roeg Sutherland; Oxmo Puccino), and his elder sister (unknown; Joséphine Mancini). His daily routine includes feeding the hens and the pigs, but not flying because he’s not yet 12 and, as his dad constantly reminds him, that’s the law.

The house is powered at least in part by small water wheels. It would appear to be self-sustaining. The family grow a lot of plants as part of their self-sufficient diet, and the daily flights of Arco’s father, mother and sister take them to other times to gather samples of new plant species to grow as nutrients.… Read the rest

Ran
(乱)

Director – Akira Kurosawa – 1985 – Japan, France – Cert. 15 – 162m

*****

Back out in cinemas this Friday to commemorate its 40th anniversary.

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Jeremy Clarke on Akira Kurosawa’s live action epic.

Ran is Akira Kurosawa’s remarkable 1985 free adaptation of King Lear.

More than any other Japanese film director, Akira Kurosawa (1910-1998) is responsible for bringing that country’s movies to the attention of international audiences. His first big exposure abroad came with the jidaigeki or period drama Rashomon (1950) which dramatised the story of a rape victim from different, successive character viewpoints. Entered in the 1951 Venice Film Festival without his knowledge, Rashomon unexpectedly picked up the prestigious Golden Lion award.

Subsequent international successes included Seven Samurai (1954) and Yojimbo (The Bodyguard) (1961). By the nineteen eighties, his productions had grown less frequent and more lavish with Kagemusha (The Shadow Warrior) (1980) and Ran (1985) requiring budgetary input from outside Japan.

Kurosawa’s influence abroad has been consolidated by various remakes of his films, with other countries adapting the Japanese elements to their own cultures. Many of his biggest international successes being period pieces have leant themselves to obvious translation into Westerns where gun-slinging cowboys were easily substituted for sword-wielding samurai.… Read the rest