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Features Live Action Movies

Kaneko’s Commissary
(Kaneko Sashiireten,
金子差入店)

Director – Go Furukawa – 2025 – Japan – Cert. N/C 15+ – 125m

****

An ex-con runs a service delivering clothing, other supplies and messages from loved ones to convicted prisoners – plays UK cinemas in the Japan Foundation Touring Film Programme 2026 which runs from Friday, 6th February to Tuesday, 31st March

A young mum, babe in arms, takes bags for her husband to a drop-off facility / creche so she can visit him in prison. The helpful assistant informs her that the commissary will be unable to accept most of the contents of the bag – basically, any clothing other than underwear. And off she goes for a prison visit with her husband, who has anger management issues and takes out on her the fact that she failed to visit last month, telling her, “it’s easy for you to abandon me.” His unabated rating and verbal abuse eventually drives her to a primal scream before she walks out, leaving him to ask, redundantly, after she’s left, if their child has been born yet.

His visit isn’t from her but the self-announced “Kaneko from Hosoda’s Commissary”, who has a deliver from his wife; divorce papers to sign.… Read the rest

Categories
Features Live Action Movies

The Shrouds

Director – David Cronenberg – 2024 – Canada, France – Cert. 15 – 120m

*****

An entrepreneur who has created graveyard corpse-viewing technology to cope with his late wife’s death by cancer finds his inner world disrupted when his creation is vandalised and hackedThe Shrouds is out on UK digital from Monday, August 11th

She (Diane Kruger from The 355, Simon Kinberg, 2022; Disorder, Alice Winocour, 2015; Inglorious Basterds, Quentin Tarantino, 2009; Joyeux Noel, Christian Carion, 2005; Troy, Wolfgang Petersen, 2004) lies dead on a slab suspended on air in an underground cave. He (Vincent Cassel from A Dangerous Method, 2011; Eastern Promises, 2007, both David Cronenberg; Default, Choi Kook-Hee, 2018; Trance, Danny Boyle, 2013; Black Swan, Darren Aronofsky, 2010; Mesrine, Jean-François Richet, 2008; La Haine, Matthieu Kassovitz, 1995) screams. He is Karsh, an entrepreneur who has set up the first in a projected series of high-tech cemeteries. Thanks to his proprietary technology GraveTech, clients can install the body of their loved one in a shroud, a wraparound artefact resembling clothing fitted with cameras which record images of the deceased’s decaying body in real time, accessible for viewing by the client whenever they wish.… Read the rest