turn of the century Archives - Jeremy C. Processing

Picnic at Hanging Rock
(Director’s Cut,
4K Restoration)

Director – Peter Weir – 1975 – Australia – Cert. 12a – 107m

*****

A group of teenage schoolgirls supervised by two teachers go on a picnic beside an isolated volcanic outcrop: three of them never return – Valentine’s Day previews on Friday & Saturday, February 14th & 15th, then is out in UK cinemas from Friday, February 21st

Two locations sear themselves into your brain when watching Picnic at Hanging Rock, whether for the first time or the umpteenth. One is the obvious one – the eponymous, towering rock formation in Victoria, Australia, at once an inescapable presence in a landscape and an invitation to come into its labyrinth and explore. The other is Appleyard College, a turn of the (nineteenth into twentieth) century boarding school for young ladies, shot in the real life 1870s-built, Georgian mansion Martindale Hall. They are two very different worlds, one natural, wild, and inexplicable, the other buttoned down and socially stratified.

The picnic, which takes place on St. Valentine’s Day, 1900, only seems to take the first third of the film’s running length. Two teachers, Miss Greta McCraw (Vivean Gray from The Last Wave, Peter Weir, 1977) and the French mistress Mlle de Poitiers (Helen Morse) are in charge of around a dozen teenage girls, all dressed very prim and properly.… Read the rest

Exhibition on Screen:
Klimt & the Kiss

Director – Ali Ray – 2023 – UK – Cert. 12a – 90m

*****

A look at one of the world’s favourite paintings, housed in Vienna’s Belvedere Museum, and the wider body of work of the artist who created it – out in UK cinemas on Monday, October 30th for one day only

All lovers of art have their blind spots. That’s partly why we go to exhibitions, to fill in the gaps in our knowledge. Gustav Klimt’s The Kiss is one of those images everyone knows, since it’s been widely reproduced as prints, while movie buffs know it from the opening museum sequence of Bad Timing (Nicolas Roeg, 1980) and as a major influence on the visuals of The Thief And The Cobbler (Richard Williams, 1993). Beyond that, however, my knowledge of both Klimt and the painting itself are sparse. This latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series about art is therefore most welcome since it proves highly informative about both.

Accompanied by a perfectly judged piano score of sequences of notes rising and falling, it opens on out of focus images of gold surfaces before showing us a detail of the two heads in the painting viewed not, as you might expect, straight on, but from a side angle.… Read the rest