persecution Archives - Jeremy C. Processing

Director – Steven Spielberg – 1993 – US – Cert. 15 – 195m

*****

World War Two allows failed Czech industrialist Schindler to come into his own as he saves Jews from Aushwitz by employing them as slave labour in his factories– out in UK cinemas on Friday, February 18th 1994

Unsuccessful Czech businessman Oskar Schindler (Liam Neeson) comes into his own during the war years as a supplier of pots and pans to the German Army. Although a badge-wearing Party member, he is neither well- nor ill-disposed towards Jews, simply an honest businessman seizing the opportunities presented by their persecution under Nazi rule. As the Jews are ghettoised in Krakow, he realises that here are investors with capital to burn for whom it is illegal to invest in business under their own names – in other words, surefire financiers; here are workers required to work all hours of the day for virtually nothing, keeping down a businessman’s cost.

He hires brilliant, ghettoised, Jewish accountant Itzhak Stern (Ben Kingsley) to run his enterprise. Under the command of ruthless commandant Amon Goeth (an astonishing turn from an unknown Ralph Fiennes which catapaulted the actor to overnight stardom) the ghettos are cleared, and the Jews moved into Plasnow concentration camp, but Schindler continues undeterred until the transportation of inmates to the Auschwitz death camp, against which he compiles Schindler’s List of 1 100 Jews necessary to run his factory, saving them from extermination.… Read the rest

The Crossing
(La Traversée)

Director – Florence Miailhe – 2021 – France, Germany, Czechia – 84m

*****

Two children undergo a series of adventures as they flee an ethnic cleansing pogrom in this animated feature made with oil paint on glass – from the BFI London Film Festival 2021 which runs from Wednesday, October 6th to Sunday, October 17th in cinemas and on BFI Player

Kyona and Adriel live with their mother, father and younger siblings in their village. One day, soldiers and dark, hooded shadow men arrive to massacre the locals Yelzid people. Somehow the family escape and board a train, but it’s stopped by soldiers for Control and their parents and younger siblings are detained on the platform. Kyona and Adriel must continue on alone and cross the border to safety.

This stakes its place in cinema history as the first feature to be realised using the time-worn animation technique of oil paint of glass. This technique makes the film analogous to watching a moving oil painting, but director Miailhe marshalls her serial images with a strong sense of narrative and additional filmic technique which hold the whole together.

Kyona loves to draw. Her sketchbook, which accompanies her everywhere, opens and closes the film, providing a perfect jumping off point to enter the oil on glass produced narrative.… Read the rest