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Features Live Action Movies

Avatar
Fire and Ash

Director – James Cameron – 2025 – US – Cert. 12a – 195m

Immersive Cinema *****

Screenplay ***1/2

Return to Pandora – this time, with a terrifying tribe whose trust in the planet’s spirit has been wiped out by a volcano – second Avatar sequel is out in cinemas from Friday, December 19th

Whatever you think of the Avatar movies – of which this is the third – there’s no denying that audiences love them, and that these films are, for the time being at least, critic-proof. The original Avatar (2009) is a remarkable work, right at the cutting edge of what one might call immersive cinema, with Cameron making superb use of 3D in an industry which long ago decided 3D was a fad useful primarily for jacking up the price of tickets: in Cameron’s hands, however, 3D goes hand-in-hand with artistic intent as he involves you in a planet or a world – Pandora – with its own, unique, eco-system. Having done that, the question is, where can you go. The second film Avatar: The Way of Water (James Cameron, 2022), in this writer’s opinion, is just as impressive as a further piece of immersive cinema; however, while it delivers some extraordinary sequences, it fails to deliver in terms of story in the way that the original did.… Read the rest

Categories
Animation Features Movies

Savages
(Sauvages)

Director – Claude Barras – 2024 – Switzerland – Cert. PG – 87m

French with English subtitles.

*****

An indigenous pre-teenage girl stands up to loggers destroyingthe local rainforest – stop-frame animated feature from the director of My Life as a Courgette is out in UK cinemas on Friday, August 1st

From its opening moments in darkness following unsettling creature noises suggesting a jungle forest, followed by jungle forest establishing shots – a frog jumping across a river via a series of stones, a snake slithering around a tree, a baby orangutan (non-verbal voice: soundtrack composer and co-sound editor Charles de Ville) swinging on a branch – it’s clear that this has high ambitions indeed. All the above would be one thing to execute in live action – a few location natural history shots… possibly library footage. In model – or stop-motion – animation, you need to physically build everything in terms of miniature model sets, so to achieve such images is a major undertaking.

Having already set the production bar high, this then pushes it up further with the rasping sound of a chainsaw, as the tree heights on which the baby orangutan and its mother (voice: de Ville again), who has just rescued the infant from the attentions of the deadly snake, are resting suddenly topples into a camp of workers who are going about their allotted task of destroying the creature’s natural habitat.… Read the rest