Mirai Moriyama Archives - Jeremy C. Processing

Ghost Cat Anzu
(Bakeneko Anzu-chan,
化け猫あんずちゃん)

Director – Yoko Kuno, Nobuhiro Yamashita – 2024 – Japan – Cert. N/C 15+ – 97m

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When her father leaves to sort out his loan shark debt problem, a man-sized, ghost cat is charged to look after her by her grandfather – animated fable plays UK cinemas in the Japan Foundation Touring Film Programme 2025 which runs from Friday, 7th February to Monday, 31st March

A man, his arm in plaster, drags his daughter to the picturesque town of Iteru, self-proclaimed Town of Eternal Summer. The demeanour of down-at-heel Karin (voice: Noa Goto) couldn’t be more at odds with that sentiment. Climbing the steps to the local temple to arrive at the door of the monk’s residence, Tetsuya (voice: Munetaka Aoki) proclaims to his father his return, and the fifth grade status of his schoolgirl daughter. What’s he doing now, his father asks. “This and that,” comes the reply. His wife, the girl’s mother, died three years ago.

While Karin is outside looking at a giant statue of Buddha, a human-sized cat arrives on a motorcycle fielding mobile phone calls. Who are you?, the cat (voice: Mirai Moriyama) asks the girl. Tetsuya, meanwhile, asks his father for money to pay off a loan shark and is told never to show his face there again.… Read the rest

Shadow of Fire
(Hokage,
ほかげ)

Director – Shinya Tsukamoto – 2023 – Japan – Cert. 15 – 95m

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A woman has drifted into prostitution, while a small boy struggles to survive in post-war Tokyo – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

An interior in the ruins of post-war Tokyo. A figure sleeps restlessly on a mat. A man hunts for a child who has broken in and is stealing food to survive. The man says to the waking woman (Shuri), “I approach the ones who look harmless – but who knows?” As he forces himself upon here, the image cuts away to decay on the walls. The woman’s hand, like a strange, disembodied limb, appears over a parapet fixture. The man goes out to solicit clients from the woman.

A soldier (Hiroki Kono) comes in, clearly in a bad way, drinks some Sake, pays the fee, then falls asleep. In the morning, she makes him breakfast. He asks to stay, promising to get work and pay his way, but after a day or so the young boy (Oga Tsukao), who she has taken under her wing, reports that he just sits in the same spot and does no work-hunting.… Read the rest