Tag: Japan 2020

Seven samurai must defend a poor village of farmers from bandits in one of the greatest action movies ever made – – both released in cinemas in a brand-new, 70th anniversary, 4k restoration from Thursday, September 26th; and currently streaming on BFI Player alongside other Kurosawa films together with a much wider selection of Japanese movies; the film is also part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK from Monday, October 21st through November 2024

Seven Samurai opens with a group of horsemen on a horizon. Notwithstanding the Japanese titles on the screen, you could be watching a Hollywood Western. Although what follows is a tale of samurai, bandits and farmers, it’s so close to ideas in a Western that Hollywood replaced sword with guns and retooled it as the hugely successful The Magnificent Seven (1960).

The plot concerns a small farming village threatened by bandits, who attack at harvest time and take all the crops. The farmers find a group of samurai prepared to defend them against the bandits in return for food and lodging.… Read the rest

Tags action, Akira Kurosawa, Art of Action, bandits, battle, BFI Japan, BFI Japan 2020, BFI Japan 2021, epic, farmer, historical, horses, Japan, Japan 2020, Japan 2021, Toshiro Mifune

Animation Features Live Action Movies

Tetsuo:
the Iron Man
(Tetsuo,
鉄男)

Post author By Jeremy Clarke
Post date 29 September 2020
No Comments on Tetsuo:
the Iron Man
(Tetsuo,
鉄男)
Sticky post

Director – Shinya Tsukamoto – 1989 – Japan – Cert. 18 – 67m

*****

On Arrow Channel from Friday, September 22nd.

Previously on BFI Player as part of Japan 2020.

This review originally appeared in Manga Mania.

A metals fetishist (played by director Shinya Tsukamoto) inserts a metal tube into his leg and the resultant infection causes him to run through the streets where he’s run over by a car. A jazz sax score and the words “new world” accompany his passage into to what appears to be another dimension, from which he proceeds to terrorise an unfortunate woman on a subway platform, possessing her hand by metallicising it with spare parts.

The car’s driver, sitting next to her on the platform – who has already discovered a miniscule electronic component on his face while shaving – is pursued by the possessed woman. Later, the driver is sodomised by his girlfriend’s mechanical penis before his own penis develops into a lethal drill.

Flashbacks reveals the pair copulating in the park just after the hit-and-run accident. As he becomes more and more metallicised, he finds himself locked in combat with his crash victim, and the two eventually become fused into one, accompanying their birth into the New World.… Read the rest

Features Live Action Movies

Tokyo Story
(Tokyo Monogatari,
東京物語)

Post author By Jeremy Clarke
Post date 15 June 2020
No Comments on Tokyo Story
(Tokyo Monogatari,
東京物語)
Sticky post

Director – Yasujiro Ozu – 1953 – Japan – Cert. U – 136m

*****

Plays in the BFI Japan 2021 season October / November at BFI Southbank. Also currently streaming on BFI Player as part of the Japan programme alongside 24 other Ozu films together with a much wider selection of Japanese movies.

Elderly couple the Hirayamas (Chishu Ryu, Chieko Higashiyama) live in the seaside town of Onomichi, a day’s train ride from Tokyo at the time the film was made. Of their five children, Kyoko (Kyoko Kagawa) still lives at home with them and works locally as a primary school teacher, two live in Tokyo, one in Osaka and one went missing in action during the war, presumed dead. The son and daughter in Tokyo, Koichi (So Yamamura) and Shige (Haruko Sugimura), work as a doctor and a beauty parlour owner respectively. Both are married while the missing son has left behind a widow Noriko (Setsuko Hara). The fifth child is a son Keizo (Shiro Osaki) in Osaka which is on the train between Onomichi and Tokyo. The couple want to visit their offspring and see how they are doing for themselves.… Read the rest

Tags actors, BFI Japan, BFI Japan 2020, BFI Japan 2021, children, family, film language, Japan, Japan 2020, Japan 2021, Onomichi, Osaka, parents, parents and children, performance, static camera, Tokyo, train journeys

Features Live Action Movies

Japan 2021
and Yasujiro Ozu

Post author By Jeremy Clarke
Post date 18 October 2021
No Comments on Japan 2021
and Yasujiro Ozu

Full article: All The Anime.

So, Scotland Loves Anime is over (save a few stragglers at the Film House) and you’re wondering where you can see more Japanese movies. Today, the BFI finally kicks off its major Japan season originally scheduled for 2020 at London’s BFI Southbank. Originally intended to coincide with the Tokyo Olympics, the programmers rejigged the programme and put parts of it out online from May to September 2020 via the excellent BFI Player platform while Sight & Sound’s wonderful anime special was out on the shelves for around three months thanks to lockdown.

Alongside the BFI’s online coup of numerous Kurosawa movies including Seven Samurai (1954), reissued as a brand new print in UK cinemas from 29th October along with prints of Throne of Blood (1957) and Yojimbo (1961), comes a similar quantity of Yasujiro Ozu movies, a rare chance to get an overview of one of Japan’s most popular domestic talents. Ozu (1903-1963) is best known for Tokyo Story (1953, pictured)… [Read more]

I review the BFI’s Japan 2021 season and the films of Yasujiro Ozu for All The Anime.

Features Live Action Movies

Throne Of Blood
(Kumonosu-jo,
蜘蛛巣城,
lit. Castle
Of The Spider Web)

Post author By Jeremy Clarke
Post date 22 June 2020
No Comments on Throne Of Blood
(Kumonosu-jo,
蜘蛛巣城,
lit. Castle
Of The Spider Web)

Director – Akira Kurosawa – 1957 – Japan – Cert. 12 – 110m

*****

Plays in the BFI Japan 2021 season October / November at BFI Southbank. Also currently streaming on BFI Player as part of the Japan programme alongside 21 other Kurosawa films together with a much wider selection of Japanese movies.

Macbeth is one of Shakespeare’s most familiar plays. In 1957, Kurosawa reworked it against the backdrop of feudal, 16th Century Japan. Ascendant samurai Washizu (Toshiro Mifune) and Miki (Minoru Chiaki) hear from an old crone at a spinning wheel in the forest that Washizu will become Lord of Cobweb Castle, later to be succeeded by Miki’s son. Washizu’s wife Asaji (Isuzu Yamada, her face rigidly fixed in Noh mask poses) preys on his insecurities to convince Washizu to murder his way to the top. Slayings, ghost sightings, hand washing and his demise duly ensue.

Not only does Kurosawa jettison all Shakespeare’s dialogue, he also makes the material thoroughly his own even while remaining true to its essence. For instance, when Washizu, eating in public, sees Miki’s ghost, Mifune with the camera following him starts running around like a man possessed, slashing wildly at an unseen apparition.… Read the rest

Tags action, Akira Kurosawa, battle, BFI Japan, BFI Japan 2020, BFI Japan 2021, epic, ghost, historical, horror, Japan, Japan 2020, Japan 2021, Noh, samurai, Toshiro Mifune

Features Live Action Movies

The Hidden Fortress
(Kakushi-Toride
No San-Akunin,
隠し砦の三悪人)

Post author By Jeremy Clarke
Post date 23 October 2020
No Comments on The Hidden Fortress
(Kakushi-Toride
No San-Akunin,
隠し砦の三悪人)

Director – Akira Kurosawa – 1958 – Japan – Cert. PG – 138m

***

Currently streaming on BFI Player as part of the Japan programme alongside 21 other Kurosawa films together with a much wider selection of Japanese movies.

Captured by soldiers, two wandering bumpkin farmers (Minoru Chiaki, Kamatari Fujiwara) are put waist deep in a waterlogged pit with scores of other prisoners and ordered to dig for treasure. Before they can find it, however, they manage to escape. In the middle of nowhere, one of them slings away a useless, sodden branch from their attempted campfire. It goes chink. Inside the wood is concealed gold with a royal seal upon it.

So begins Akira Kurosawa’s 1958 foray into chambara (Japanese popular historical epic genre) which also features a beautiful princess in exile (Misa Uehara) and her heroic general (Toshiro Mifune) intent on restoring her with the clan’s gold. If the story sounds vaguely familiar, that’s because it’s George Lucas’ main source for his Star Wars (1977) (and one or two elements in its sequels), which today lend Kurosawa’s film an added interest. The Hidden Fortress puts hero, heroine and their two unlikely companions through a series of set piece adventures including lance duels, a spectacularly choreographed folk fire festival, horseback pursuits and, indeed, the discovery fairly early on in the proceedings of the eponymous hidden fortress.… Read the rest

Tags Akira Kurosawa, BFI Japan, BFI Japan 2020, BFI Japan 2021, chanbara, countryside, epic, farmer, historical, Japan, Japan 2020, Japan 2021, rural, Star Wars, Toshiro Mifune

Features Live Action Movies

Ran
(乱)

Director – Akira Kurosawa – 1985 – Japan – Cert. 15 – 162m

*****

This spectacular samurai period epic is currently streaming on BFI Player as part of the Japan programme alongside 21 other Kurosawa films together with a much wider selection of Japanese movies.

The following review originally appeared in Funimation UK. It was published to coincide with the film’s 2016 restoration. Stray Dog, Rashomon, Yojimbo, I Live In Fear, The Hidden Fortress, Throne Of Blood, The Lower Depths and High And Low, all of which are in the current season’s 22, also get a mention. As does Kagemusha which, curiously, isn’t.

—

Jeremy Clarke on Akira Kurosawa’s live action epic.

Ran is Akira Kurosawa’s remarkable 1985 free adaptation of King Lear, rereleased in cinemas worldwide in 2016 on the back of the 400^th anniversary of William Shakespeare’s death.

More than any other Japanese film director, Akira Kurosawa (1910-1998) is responsible for bringing that country’s movies to the attention of international audiences. His first big exposure abroad came with the jidaigeki or period drama Rashomon (1950) which dramatised the story of a rape victim from different, successive character viewpoints.… Read the rest

Tags 16th century, action, Akira Kurosawa, battle, BFI Japan, BFI Japan 2020, BFI Japan 2021, castles, colour-coding, historical, horses, Japan, Japan 2020, Japan 2021, king, madness, samurai, sibling rivalry, war

Documentary Features Live Action Movies

Mifune
The Last Samurai

Director Steven Okazaki – 2015 – US – Cert. 12 – 80m

*****

Currently streaming on BFI Player as part of Japan 2020.

Toshiro Mifune (1920-1997) is director Akira Kurosawa’s iconic star of his samurai movies Rashomon, Seven Samurai and Yojimbo. He’s the subject of three time Oscar-nominated documentary film maker Steven Okazaki’s useful documentary Mifune The Last Samurai (2015). As narrator Keanu Reeves says in voice-over, without Mifune there would have been no Magnificent Seven, Eastwood would not have had A Few Dollars More and Darth Vader would not have been a samurai.

The documentary spends a good twenty minutes on background Japanese history, early Japanese film and Mifune’s life before his career in movies began.

He got into movie acting by accident, having originally applied to work at Toho Studios as a camera assistant. Kurosawa spotted him there, immediately recognised a unique quality and decided he wanted to work with him as an actor. The pair would go on to make sixteen films together.

I review Mifune The Last Samurai for All The Anime.

You can watch the film on BFI Player as part of Japan 2020.

Features Live Action Movies

A Snake Of June
(Rokugatsu
No Hebi,
六月の蛇)

Post author By Jeremy Clarke
Post date 18 October 2021
No Comments on A Snake Of June
(Rokugatsu
No Hebi,
六月の蛇)

Director – Shinya Tsukamoto – 2002 – Japan – Cert. 18 – 77m

*****

Unlike any terrorised female narrative you’ve ever seen, at once bizarre and hugely rewarding – currently streaming on BFI Player as part of the BFI Japan 2021 programme

This review originally appeared in What’s On In London, June 2003.

In an unnamed (but suspiciously Tokyo-like) Japanese city where it’s constantly raining, a mysterious phone caller blackmails repressed housewife Rinko (Asuka Kurosawa). If that sounds clichéd, set your prejudices aside because Shinya Tsukamoto’s unique, new film is unlike any terrorised female narrative you’ve ever seen. The motives of the caller (director Tsukamoto himself) are scarcely what you might expect.

From the moment Rinko opens a postal package labelled “Your Husband’s Secrets” to find photographs of herself masturbating (which she flicks into life like a series of animated stills) via her subsequent following orders involving short skirts and vibrators through to the extraordinary finale, the piece walks a difficult path between humiliating and liberating women.

With the year’s most arresting opening – a stripping model reduced to orgasmic ecstasy in serial, rapid-fire static images to the flashing of a stills camera – it’s likely to engross some viewers while offending others.… Read the rest