distressed Archives - Jeremy C. Processing

Director – Petra Blondina Volpe – 2025 – Switzerland – Cert. 12a – 92m

****1/2

An experienced and competent nurse in a hospital in the Western world endures a particularly gruelling night shift – out in UK cinemas on Friday, August 1st

There’s a moment of calm at the start of Late Shift… Scrubs going through a laundry system… Floria Lind (Leonie Benesch from September 5, Tim Fehlbaum, 2024; The Teachers’ Lounge, Ilker Çatak, 2023; The White Ribbon, Michael Haneke, 2009) on the night bus to her shift… She and a colleague making small talk whilst changing at the lockers… (The film ends similarly, with a reverse of this bookend, peace after the night shift is over.) And then, they’re on shift.

As soon as Mrs. Lind comes into the ward, the chaos starts. She helps a male colleague (bilingual in German and, for the patient, French) lift the demented Mrs Kuhn (Margherita Schoch) out of her wheelchair so Floria can change the lady’s underwear (and, quite literally, clean her shit off the floor). This evening, it’s Floria, one other nurse (Sonja Riesen), and Amelie (Selma Jamal Aldin), an inexperienced med student. Handing over, a colleague runs through by name the patients on the ward this shift and their various medical needs.… Read the rest

Climax

Director – Gaspar Noé – 2018 – France – Cert. 18 – 97m

*****

Uppers and downers – either way blood flows. Arthouse enfant terrible Noé combines technical skill and singular focus with some of the most spectacular dancing ever put on film to produce a dark and challenging vision of hell on earth – now available on VoD

Cinema at its purest. Bright white on a screen. A woman starts crawling from the top of the screen. Extreme audience disorientation. We realise she’s crawling through snow. She appears to be in a bad way. Traces of blood. The camera follows her forward movement down the screen. Slowly a tree comes into shot from the bottom. We are watching the same overhead camera movement.

A series of vox pops on a television screen with shelves of books on one side and piles of DVDs on the other. Dancers answer questions on why dance is important to them. Would they do anything in order to make it big? What would they do if they weren’t able to dance?

Then the narrative proper begins. It’s 1996. We’re inside a building with a dance floor watching the most amazing dance routines we’ve ever seen.… Read the rest