bolt Archives - Jeremy C. Processing

Novocaine
(2025)

Directors – Dan Berk, Robert Olsen – 2025 – US – Cert. 15 – 110m

*****

An assistant bank manager who is medically unable to feel pain pursues the bank robbers who have kidnapped his brand new and first ever girlfriend – out in UK cinemas on Friday, March 28th

(There have been several other movies with this title. Apart from having the same title, this one appears to be completely original.)

San Diego, California. Driving to work in gridlock, Nathan Caine (Jack Quaid) is the type to annoy fellow motorists by obsessively maintaining the correct space in front of his vehicle when no-one else is doing so. At work, he’s the assistant bank manager. He’s a genuinely nice guy who genuinely cares from people, such as long-standing customer Earl (Lou Beatty Jr.) who Nate helps through an unpleasant foreclosure on his workshop by doing things on a schedule that will help ease the man’s pain.

Also, there’s this new teller Sherry (Amber Midthunder) at the bank who Nate rather likes but can’t bring himself to talk to. In fact, despite her obvious attentions, he goes out of his way to avoid talking to her.

Somehow, she talks him into a lunch date where she has cherry pie and he… doesn’t.… Read the rest

Breakout Brothers
(To Yuk Hing Dai,
逃獄兄弟)

Director – Mak Ho-pong – 2020 – Hong Kong – 12 (Camden Council) – 90m

****

Three prison inmates attempt to escape so that they can attend to various pressing, personal issues– online in the UK as part of Focus Hong Kong 2022 Making Waves from Friday, July 8th to Sunday, July 10^th

The generic side of Hong Kong movies (kung fu, supernatural, swordplay, gangster, horror, comedy) has long been one of the strengths of that territory’s film production. This one has already spawned two sequels (Breakout Brothers 2, 2021 and Breakout Brothers 3, 2022, both Mak Ho-pong). In essence, it’s deceptively simple: three inmates in prison attempt to break out. This is hardly an original concept, however two elements makes it different.

One, it’s conceived and shot as a caper movie. It’s not really a comedy, but it most definitely has a lightweight feel. This is brilliantly established from the get-go with the introduction of the score by Pong Chow and Noel Li, which follows a long tradition of themes in caper movies and TV series typified by Mission: Impossible (composed by Lalo Schifrin, 1966) with its driving yet off-kilter bass-line. In Breakout Brothers, this is accompanied by a striking, graphic,opening title sequence as good as that for Collectors (Park Jung Bae, 2020), the difference here being that Breakout Brothers lives up to the promise of its superlative title sequence whereas Collectors doesn’t.… Read the rest